Slow Quilt Monday--Oh, the Possibilities
I don't have many words of wisdom today because I'm deep in the midst of finishing a UFO (which has developed a real back-story, by the way, but more about that later in the week when it's actually done). So I haven't been practicing "slow quilting" these last couple of days so much as "get 'er done quilting." There are seasons for both of those in our quilting lives, to be sure.
However, I started out this morning in an endeavor that might indeed fit well under the slow quilting rubric, as it's all about imagining the possibilities.
You see, I've developed a thing for Shiva paint sticks. I picked up a few at the Mid-Atlantic Quilt Festival and have been playing with them here and there. A couple of weeks ago I brought them with me when I made a quick drop-by to our guild's March Sew-Days. I knew my buddy Lori would appreciate them--I didn't realize the number of other folks who would fall in love with them too. Soon enough I had a crowd around me as we played with rubbing plates, sketching, and blending. Lori, Florence, and I decided a short shop-hop to an art supply store was in order. So, this morning we met in a grocery store parking lot, hopped into Lori's car, and did some financial damage in a short amount of time!
Today's purchases:
More paint sticks, of course; a few pigma pens, some stencil brushes and a couple of small stencils, some regular paint brushes of three different shape/sizes, and brush cleaner. And then a random bag of little bitty hair scrunchies to keep my bobbins in control, because they've started to bug me of late ($1 for a bag of 300 at Family Dollar, if you're interested).
Florence and Lori also picked up a few paint sticks and some other accoutrements. I'll let Lori blog about hers. Florence doesn't blog, so her quilting life will just need to remain a mystery to you all. Let me just say, though, Florence is a seriously prolific quilter. It's a rare guild show n' tell that she doesn't have at least three finishes to show, and often more. And she does tremendous charity quilting. We love Florence. She da woman.
I've done as much as I can get done on my UFO for the day--waiting for a shipment of remaining parts. :-) So now it's time to cover a work surface and get down to some serious play. I love me some paint sticks. Playing is a big part of slow quilting--you need to mess with something to get a feel for what it will let you do.
So, go mess with something. And have fun!
However, I started out this morning in an endeavor that might indeed fit well under the slow quilting rubric, as it's all about imagining the possibilities.
You see, I've developed a thing for Shiva paint sticks. I picked up a few at the Mid-Atlantic Quilt Festival and have been playing with them here and there. A couple of weeks ago I brought them with me when I made a quick drop-by to our guild's March Sew-Days. I knew my buddy Lori would appreciate them--I didn't realize the number of other folks who would fall in love with them too. Soon enough I had a crowd around me as we played with rubbing plates, sketching, and blending. Lori, Florence, and I decided a short shop-hop to an art supply store was in order. So, this morning we met in a grocery store parking lot, hopped into Lori's car, and did some financial damage in a short amount of time!
Today's purchases:
More paint sticks, of course; a few pigma pens, some stencil brushes and a couple of small stencils, some regular paint brushes of three different shape/sizes, and brush cleaner. And then a random bag of little bitty hair scrunchies to keep my bobbins in control, because they've started to bug me of late ($1 for a bag of 300 at Family Dollar, if you're interested).
Florence and Lori also picked up a few paint sticks and some other accoutrements. I'll let Lori blog about hers. Florence doesn't blog, so her quilting life will just need to remain a mystery to you all. Let me just say, though, Florence is a seriously prolific quilter. It's a rare guild show n' tell that she doesn't have at least three finishes to show, and often more. And she does tremendous charity quilting. We love Florence. She da woman.
I've done as much as I can get done on my UFO for the day--waiting for a shipment of remaining parts. :-) So now it's time to cover a work surface and get down to some serious play. I love me some paint sticks. Playing is a big part of slow quilting--you need to mess with something to get a feel for what it will let you do.
So, go mess with something. And have fun!
Playing with New Toys
Still in recovery from Mid-Atlantic Quilt Festival, I didn't want to do anything yesterday that required actual...well...brain cells. And so, I thought, that might be the perfect time to simply play with some new toys that I purchased in VA because my brain wouldn't get in my way.
I pulled a piece of kimono silk scrap out of a scrap bag I bought from Laura Murray's booth (Laura Murray Designs). For just a few dollars, I got a bag stuffed with scraps of silks that she'd dyed or painted. It's always a hoot when someone's rejects are so gorgeous!
Choosing a scrap, I got my Shiva paint sticks ready. The first thing you have to do is rub the tips with a paper towel to get the skin off. I rubbed away, accidentally snapping the top of the gold one off as I went after it a little too aggressively. No loss, though, since I can still use the snapped-off tip. Next, I chose one of the new rubbing plates I'd picked up, sprayed it lightly with a spray baste so the fabric would stick to it, smoothed the fabric over it, then went to town using the method that Laura had been demonstrating in her booth--short, light strokes with one color, then another, then another. Loved the result.
Next, I pulled out my Perfect Pearls Mists spray bottles that I'd picked up from Jane Davila's booth. I chose one of the stencils I'd bought from another booth (sorry--forgot to write down the name of that one) and spritzed some pearl white onto the stencil. That will take some practice, but it was fun to test. You can see the smudgy result on the right of the ginko leaves in the center. For the other three sprays, I just lightly spritzed the color over the surface of the fabric just to see what it would look like. I really love that effect--just a very light shimmer.
I've got several books in my quilt library on surface embellishment that I'm perusing again for ideas and inspiration, and I'll just keep playing--I know I'll discover a method or combination of colors and fabric that will create a piece that can be expanded upon or used in another way. I've already got some ideas!
For the record, since I didn't have specific plans for what I was buying, I stuck with basic metallics. So I have paint sticks in silver, gold, and bronze, and mists in gold, bronze, pewter, and white pearl. I figured those would be the most versatile to start with. The vast majority of rubbing plates and stencils are abstract or natural designs, although I have a gorgeous peacock stencil that I grabbed when the vendor reminded me I was buying enough to get one free. Bingo!
On the Stonehenge Mariner's Compass front, I decided while I was gone that I was definitely going to start from scratch. I didn't need a whole lot of brain cells for the first step so I did manage to at least make the new copies of the paper-piecing pattern, this time on my Carol Doak Foundation paper. Today I plan on getting those pieced together. So (hopefully), more updates later.
I pulled a piece of kimono silk scrap out of a scrap bag I bought from Laura Murray's booth (Laura Murray Designs). For just a few dollars, I got a bag stuffed with scraps of silks that she'd dyed or painted. It's always a hoot when someone's rejects are so gorgeous!
Choosing a scrap, I got my Shiva paint sticks ready. The first thing you have to do is rub the tips with a paper towel to get the skin off. I rubbed away, accidentally snapping the top of the gold one off as I went after it a little too aggressively. No loss, though, since I can still use the snapped-off tip. Next, I chose one of the new rubbing plates I'd picked up, sprayed it lightly with a spray baste so the fabric would stick to it, smoothed the fabric over it, then went to town using the method that Laura had been demonstrating in her booth--short, light strokes with one color, then another, then another. Loved the result.
Next, I pulled out my Perfect Pearls Mists spray bottles that I'd picked up from Jane Davila's booth. I chose one of the stencils I'd bought from another booth (sorry--forgot to write down the name of that one) and spritzed some pearl white onto the stencil. That will take some practice, but it was fun to test. You can see the smudgy result on the right of the ginko leaves in the center. For the other three sprays, I just lightly spritzed the color over the surface of the fabric just to see what it would look like. I really love that effect--just a very light shimmer.
I've got several books in my quilt library on surface embellishment that I'm perusing again for ideas and inspiration, and I'll just keep playing--I know I'll discover a method or combination of colors and fabric that will create a piece that can be expanded upon or used in another way. I've already got some ideas!
For the record, since I didn't have specific plans for what I was buying, I stuck with basic metallics. So I have paint sticks in silver, gold, and bronze, and mists in gold, bronze, pewter, and white pearl. I figured those would be the most versatile to start with. The vast majority of rubbing plates and stencils are abstract or natural designs, although I have a gorgeous peacock stencil that I grabbed when the vendor reminded me I was buying enough to get one free. Bingo!
On the Stonehenge Mariner's Compass front, I decided while I was gone that I was definitely going to start from scratch. I didn't need a whole lot of brain cells for the first step so I did manage to at least make the new copies of the paper-piecing pattern, this time on my Carol Doak Foundation paper. Today I plan on getting those pieced together. So (hopefully), more updates later.