...and I don't mean a color scheme with a drawl. Ar ar.
This week we're looking at three side-by-side colors again, although this time we're twisting it up by jumping across the color wheel to the opposite side of any of the original three colors and choosing an accent color. Some legalists might suggest that you have to go opposite of the color in the middle, but really, you don't. The opposite color of any of the original analogous buddies will work just fine as an accent.
This has traditionally been referred to as "the pop of color," or "the zinger." I remember in my early quilting days a more experienced quilter told me, "You always have to have a zinger in your quilt." Well, you know how I feel about absolutes like "always" and "never." Really, you don't always have to. And, in fact, we've already dealt with two color harmonies that distinctly don't have a zinger. But it is a very effective color harmony to use and one that I do tend to find myself using fairly frequently. Things looking a little dull in your color choices? Take a quick hop across the color wheel and see what happens!
Color Magic for Quilters also points out that part of the reason that this works so well is because you're now automatically blending warm and cool colors in a single quilt. No matter where you are in the color wheel, the opposite side will be the opposite heat factor, so to speak. And that just makes things cook.
I started out my experiments by going back to my analogous choices from last week, and hopping across the color wheel. Well, that was really too easy, since that same collection had already done that for me with one of the other fabrics in the same line.
Yellow-green, green, and blue-green--skippity hoppity and you've got red in any of its shades or tones. In this case, a nice dusty rose/pink.
Lots of prints use this color harmony, by the way. It's pretty easy to find a print and then pull fabrics with colors from that print, and discover you've done an "analogous with an accent" color scheme without even trying.
But I wanted to try. So I put those fabrics away and started over.
I got this poppy little fabric on sale from Hancock's of Paducah last week. It looked fun to play with, since I'm working smaller scale now and could get any number of color combinations or textural elements if I use little bitty pieces from this.
I got out Joen Wolfrom's 3-in-1 Color Tool and checked the fabric--yep, analogous with an accent. Although a little trickier since she uses the Ives Wheel (aka CMYK) and there are a whole lot more divisions. So I was generous with myself and decided that yellow, orange yellow, and magenta were more or less analogous if you compared it with the smaller standard color wheel of yellow, orange, and red. (So I wasn't quite as much a stickler with myself this week. Sue me.) Jump across, and there's blue-green.
This is the first set I came up with. Technically, it all works. Next to the print is a yellow-to-yellow-orange-ish fabric, followed by a very, very light teal (or blue-green) batik, followed by an orange solid, followed by a magenta batik, closing out with a teal batik.
While it works by the color wheel, it wasn't working for me. Something about it wasn't jazzing me, so I kept going.
I tried swapping out the yellow (second from the left) with a brighter yellow/orange batik print.
The other yellow matched the color better, but this one matches the mood better, I think.
But I'm still not entirely happy, so I play on...
This time I tried changing the magenta (second from right) with a different magenta that reads a little more to the orange. I do think that one works better than the other magenta.
So, yes, this could make a quilt.
Still, I'm not positive this is a quilt I'd make.
But it was fun to play.
Link up your playtime! What does three colors side-by-side with an accent mean to you?
This week we're looking at three side-by-side colors again, although this time we're twisting it up by jumping across the color wheel to the opposite side of any of the original three colors and choosing an accent color. Some legalists might suggest that you have to go opposite of the color in the middle, but really, you don't. The opposite color of any of the original analogous buddies will work just fine as an accent.
This has traditionally been referred to as "the pop of color," or "the zinger." I remember in my early quilting days a more experienced quilter told me, "You always have to have a zinger in your quilt." Well, you know how I feel about absolutes like "always" and "never." Really, you don't always have to. And, in fact, we've already dealt with two color harmonies that distinctly don't have a zinger. But it is a very effective color harmony to use and one that I do tend to find myself using fairly frequently. Things looking a little dull in your color choices? Take a quick hop across the color wheel and see what happens!
Color Magic for Quilters also points out that part of the reason that this works so well is because you're now automatically blending warm and cool colors in a single quilt. No matter where you are in the color wheel, the opposite side will be the opposite heat factor, so to speak. And that just makes things cook.
Let's Play!
Yellow-green, green, and blue-green--skippity hoppity and you've got red in any of its shades or tones. In this case, a nice dusty rose/pink.
Lots of prints use this color harmony, by the way. It's pretty easy to find a print and then pull fabrics with colors from that print, and discover you've done an "analogous with an accent" color scheme without even trying.
But I wanted to try. So I put those fabrics away and started over.
I got out Joen Wolfrom's 3-in-1 Color Tool and checked the fabric--yep, analogous with an accent. Although a little trickier since she uses the Ives Wheel (aka CMYK) and there are a whole lot more divisions. So I was generous with myself and decided that yellow, orange yellow, and magenta were more or less analogous if you compared it with the smaller standard color wheel of yellow, orange, and red. (So I wasn't quite as much a stickler with myself this week. Sue me.) Jump across, and there's blue-green.
This is the first set I came up with. Technically, it all works. Next to the print is a yellow-to-yellow-orange-ish fabric, followed by a very, very light teal (or blue-green) batik, followed by an orange solid, followed by a magenta batik, closing out with a teal batik.
While it works by the color wheel, it wasn't working for me. Something about it wasn't jazzing me, so I kept going.
I tried swapping out the yellow (second from the left) with a brighter yellow/orange batik print.
The other yellow matched the color better, but this one matches the mood better, I think.
But I'm still not entirely happy, so I play on...
This time I tried changing the magenta (second from right) with a different magenta that reads a little more to the orange. I do think that one works better than the other magenta.
So, yes, this could make a quilt.
Still, I'm not positive this is a quilt I'd make.
But it was fun to play.
Your turn!
Link up your playtime! What does three colors side-by-side with an accent mean to you?