For the last couple of weeks of our Total Color Tuesday play times, we've been adding friends here and there. This week, it's a crowd! We're doing two color harmonies again this week, so get ready.
First up, four colors are coming over to play.
This one is a four-color harmony in which you start with two colors, then hop across the color wheel and pick each of their opposites. Color Magic for Quilters suggests that for this color harmony to work best, you should choose two colors separated by one color.
I decided to go with green and yellow, plus their complements, red and purple.
How in the world do I keep ending up back at yellow, when I have so little yellow in my stash?
This one worked out pretty well. I had a print fabric in my stash that includes both green and purple (not a surprise, since that's one of my fave color combos).
I then added another purple fabric just to emphasize that--and yes, despite the picture turning it blue, the purple is really an identical purple to what's in the print. Go figure.
Then red and yellow to round out the harmony. I could see using this in a quilt. If I were to do so, the yellow would just be a little accent here and there, and I'd throw in a white or some other very light fabric as well. But, not bad.
Then I turned to the Joen Wolfrom 3-in-1 color tool to see what the CMYK wheel would turn up.
I tried to stay with more or less the same color scheme as I'd used with the traditional color wheel, although the CMYK wheel changes it to yellow, yellow-green, violet, and magenta.
Surprisingly, I have a print that's got both violet and magenta in it. It looks more red in this picture but it's really a deep magenta. This could work, although I think I'd try to find a lighter yellow to counter-balance the intensity of the yellow-green in this one.
Now, onto the next color harmony. This time, our friendly four colors get party-crashed by some interlopers.
This time, you're choosing three side-by-side colors. No skipping. Then you find the complements, or opposites, for all three colors.
Color Magic says, "At first, the thought of working with six colors may seem daunting...."
Well, actually, I've worked with at least that many colors before. But trying to find colors in my stash that are this close together was a challenge. I came up with this set based on the standard color wheel. Same starter fabrics as above, but adding in a green and a purple to round out the harmony. This particular set probably wouldn't do it for me in a quilt, although maybe if I could find a lighter yellow and then just went with the very light and very dark as accents, I could make it work.
However, when it came to the CMYK version of the color wheel, I had a complete fail.
I just don't have a big enough stash to have fabrics that are so close together and yet still distinctly different. This one would require a trip to a quilt shop. Maybe a few.
I wonder if, in using the 24-point CMYK color wheel, I'd be better off doubling the number of colors "skipped?" In other words, where Color Magic, using the 12-point standard color wheel, suggests skipping one color for the best harmony, maybe in using the 24-point color wheel that means I should skip two colors? And if I don't skip any in the 12-point standard wheel, maybe I should skip one in the CMYK? It would provide a more clear differentation.
Not that there are any real rules, here. The six colors I've got fanned out in the photo would make a very pretty quilt. I just can't do it out of my stash.
But just to leave on a high note, aren't these pretty? (Stonehenge 2 1/2" strip package that I broke into to see if I could do the color harmony above. Nope. But I liked petting them, just the same.)
First up, four colors are coming over to play.
Two Colors and Their Opposites
I decided to go with green and yellow, plus their complements, red and purple.
How in the world do I keep ending up back at yellow, when I have so little yellow in my stash?
I then added another purple fabric just to emphasize that--and yes, despite the picture turning it blue, the purple is really an identical purple to what's in the print. Go figure.
Then red and yellow to round out the harmony. I could see using this in a quilt. If I were to do so, the yellow would just be a little accent here and there, and I'd throw in a white or some other very light fabric as well. But, not bad.
I tried to stay with more or less the same color scheme as I'd used with the traditional color wheel, although the CMYK wheel changes it to yellow, yellow-green, violet, and magenta.
Surprisingly, I have a print that's got both violet and magenta in it. It looks more red in this picture but it's really a deep magenta. This could work, although I think I'd try to find a lighter yellow to counter-balance the intensity of the yellow-green in this one.
Now, onto the next color harmony. This time, our friendly four colors get party-crashed by some interlopers.
Three Colors and Their Opposites
Yikes. It's getting crowded in here. Turn down the music before the neighbors call the cops!Color Magic says, "At first, the thought of working with six colors may seem daunting...."
Well, actually, I've worked with at least that many colors before. But trying to find colors in my stash that are this close together was a challenge. I came up with this set based on the standard color wheel. Same starter fabrics as above, but adding in a green and a purple to round out the harmony. This particular set probably wouldn't do it for me in a quilt, although maybe if I could find a lighter yellow and then just went with the very light and very dark as accents, I could make it work.
I just don't have a big enough stash to have fabrics that are so close together and yet still distinctly different. This one would require a trip to a quilt shop. Maybe a few.
I wonder if, in using the 24-point CMYK color wheel, I'd be better off doubling the number of colors "skipped?" In other words, where Color Magic, using the 12-point standard color wheel, suggests skipping one color for the best harmony, maybe in using the 24-point color wheel that means I should skip two colors? And if I don't skip any in the 12-point standard wheel, maybe I should skip one in the CMYK? It would provide a more clear differentation.
Not that there are any real rules, here. The six colors I've got fanned out in the photo would make a very pretty quilt. I just can't do it out of my stash.