One ABQ and One Start

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This one’s done, “All But Quilting” (or ABQ). Finally! Five years in the works! I haven’t decided how to quilt it yet. I did a little Pinterest research on quilt designs for quilts with embroidery in them and most seemed to go for an overall design of some sort that would help hold the embroidery in place. I don’t want to do much as I don’t want to spend a lot of time on it (it’s just a goofy Halloween wallhanging after all) and the quilting needs to not distract from the embroidery, which is what I took five freakin’ years to finish.

Anyway….Any suggestions? Corner-to-corner diagonals for a diamond grid? Meander? What color thread? I’m pondering, so ponder with me!


And so, on to a new start. I had a bit of a reprieve on the wedding quilt I had designed for my niece out in California. Their wedding was scheduled last April. Due to the pandemic, they ended up getting married on the beach with just parents and a couple of very close friends, and none of us right-coast family flew out. At that point, they said they’d do a reception in August, so I put aside what I’d designed while I dealt with all sorts of other pandemic-stress, and returned to it for a few days to get ready for an August finish date.

Then August got cancelled. So it got put aside again, but this time with no definite deadline.

Now they’re talking about trying again next April. At this point, I’ve decided not to worry about a date so much (‘cause I’m skeptical we’ll be traveling yet in April 2021) but I’d love to get it done and off my mind.

I’m doing a traditional Storm at Sea using the Accuquilt block die, which finishes to 9”. Since I’m making a King-sized quilt, roughly, this puppy has 120 blocks involved.

I’m doing it in beachy colors—blues and “sand”—and all in batiks.

I’d collected fabrics over a period of months for this but it had all gotten mixed in with my stash at some point, so I had to go digging again. That actually helped me as I realized how much of my original collecting had veered towards same-same, so I was able to mix it up with some other stuff that’s been in my stash for awhile. I felt like it had a little more spark when I was done.

I was a good little quilter and did a b&w version so I could check values. Some of my darks veer just a bit into the medium in the monochrome version but I’m not worried.

I love the look of batiks but the resulting quilt isn’t exactly “cozy.” They never really soften up in the way the way woven cottons do. At least I think batiks are more durable, and as it’s going to live with young adults with dogs and a still-transient lifestyle, durable is a necessity.


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I sat down and did the math of how many pieces I’d need to cut—subcuts and final cuts included. (Subcutting, for those of you who don’t have an Accuquilt, is when you cut a piece of fabric to a size just slightly larger than the die itself. It’s not absolutely necessary but for something like this it’s helping me stay organized.)

This took me a little while as I’m doing it scrappy, so I had to figure out roughly how many pieces of which fabric I needed. Then I got to the end of a bunch of calculations and added “and whatever else I end up cutting.” If I cut too many, I’ll throw in a pillowcase or two.

I subcut a handful of fabrics so I could run a set through the die to make sure I’d thought it through correctly. This is how it looks when it’s laid out on the die.


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And this is the final (pre-sewn) version.

(Boy, that light looks super-light in this photo. It’s really much more sand colored.)

Pretty nifty. I’m digging this Accuquilt thing. If I’d put my mind to it, I probably could’ve had most of the quilt cut out in a couple of hours.

I didn’t sew this test together as I want more variety of fabrics in each block, but I was able to see the basic layout and make sure I’d done my figuring correctly. Once I have more fabrics cut, I’ll take another pause and sew together a few test blocks.

I’m so excited. I’ve been wanting to do a Storm at Sea for so stinkin’ long!

Doing some catching up...recent hand-dyes

Back in June I finished up a couple more hand-dyeing adventures so it's about time I did some show n' tell. 

You may remember awhile back when I posted about having done the Stones & Shells Gradation sampler kit from Prochemical & Dye. Here it is again, just to remind you...

Stones & Shells Gradation Sampler Kit from Prochemical & Dye

Stones & Shells Gradation Sampler Kit from Prochemical & Dye

Someone asked what three dyes these were--sorry I hadn't posted that before. It's Procion MX Camel (5181), Old Rose (5220), and Stormy Grey (6160)--all names and numbers are the ProChem labels; Dharma would have different names.

I loved what came from the combination of those three dyes so much I now own each of those colors.

I had a second sampler pack kit named "Rainforest" that I finally got done in June.

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By the way--I'm not entirely sure they're in exactly the right order. Here's the problem with dark dye baths: They tend to conceal the notes one made to oneself using a black Sharpie in the corners of the fabric pre-dyeing. Oops.

The three colors used here are Olive (708), Bright Green (7158), and Kilt Green (7218). I haven't bought any of these yet since largely I've been able to produce greens I like from dyes I already have. May well purchase some in the future, though--I especially liked the teal nature of the Kilt Green. I did find one thing very interesting: Note the Bright Green pure sample right in the middle of the bottom row, and notice how much it completely changes when only a half tablespoon of either Olive (to the right of it), or Kilt Green (to the left of it) are added. That has a much more drastic change than any of the other colors.

Finally, what I really wanted to start playing with was creating blacks and grays using value gradations. When I was in Paducah and doing some serious damage at the ProChem booth, I bought two black dyes: 628 and 629. They were described to me as one being a "warm black," and one being a "cool black." I dyed them side by side so I could see what the difference might be.  

Blacks value gradations

Blacks value gradations

628 is on top; 629 is on bottom. One can sort of see a bit of a difference, but not much. I suspect there may be more involvement when I'm mixing black with a color to get a muddier tone--then it may matter quite a bit which I use. Also, the method I used to get gradations didn't work very well in this instance; I'd probably have been better off doing the parfait method. They also lived in the dye baths for several days because I got quite busy suddenly and couldn't get to my rinse-out when I'd originally planned, so they are VERY dyed! 

My next plan with these blacks is to use them as an opportunity to play with some discharges. Wheee! 

Gifts from Kansas

Gifts from Kansas

Then, just because they're pretty and it was a wonderful moment, I must show you this too. I was gifted with some beautiful batiks in thanks for my keynoting at a women's conference in Kansas in early June. They know I'm a quilter, and one of the women on the planning team was also a quilter, so she knew the best thank-you gift they could give me! Apparently Kansas has a big shop-hop every year and Kaufmann Fabrics produces the sunflower batik especially for that shop-hop; I was told it was the only place you can get it. The women then had fun putting together several coordinating fat quarters for me. No idea what I'm going to use these for yet, but I can't keep my hands off them!  (If you're curious, they were from the Material Girls quilt shop in Wichita. I was also given a very nice clear vinyl totebag with zippered top from the same shop that is now my hand-embroidery project bag.)

Okay, I think that finally catches me up with show n' tell! I should have one more finish (new one) before the week is out...