2013 Quilty Resolutions Review

Did you participate in my 2013 Quilty Resolutions Challenge? If so, report in on how you did! Here's a link to the spreadsheet to remind y'all of what you said you wanted to do. Fair warning--the first handful don't have names on them, so hopefully you'll be able to identify yourselves! I think I took out any email addresses but there's a lot of copy to wade through on that spreadsheet so give me a quick heads-up if you see something you shouldn't. :-)

Remember, leave a comment to let me know what you accomplished and what you didn't!

I'll be announcing the 2014 Quilty Resolutions Challenge in my next episode--maybe even recording tonight, but more likely tomorrow.

Meanwhile, I'll leave you with something wonderful. We had the opportunity to have the Burmese Fellowship from our church visit our home tonight and sing us some Christmas carols. I'm truly in the Christmas spirit now.

 

 

 

Another postcard...

One of our friends at church was sworn in as a U.S. citizen this week. I had a little bit of a plan in my head of a small quilted wallhanging I would make him to celebrate the occasion, and on Friday, while on the Shirley DeMott Memorial Annual Shop-Hop* with a friend, I picked up some appropriately patriotic-themed fabrics.

When my husband and I were out for dinner that night, I mentioned and briefly described what I thought I might make for our friend. My husband said, "Why don't you make another postcard? I like your postcards."

Well, okay then. As I like to give positive reinforcement for any positive reinforcement my husband gives me for my rather expensive creative endeavors, a postcard it is, tee hee. "Plus," I thought, "a postcard is smaller and may go a little quicker than what I'd planned anyway."

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Yeah, well, that never quite works out, does it? I decided to do a design that was quite time-consuming. (Yep, all those red and white stripes are separate little strips of fabric.) Still n' all, it was done in a couple of hours. And of course, I didn't end up using any of the fabrics I'd bought on Friday and just dove into my stash instead.

Sadly, on the very, very last swipe with the iron to make sure all was happily fused down, my iron decided to spit. I hate my iron. And one of the fabrics bled. I hate that fabric.

Here's some irony for you--with all the work I've been doing with my hand-dyes and nothing ever bleeding, this was a commercial fabric. Go figure. My fault--usually when I'm fusing I use a different iron that's never had water in it. But I recently handed that iron over to my son, and didn't bother to take the time to empty the water out of my regular iron before starting to fuse. I hate that water.

I took this picture after I'd gone after the bleed with a dab of Synthrapol, followed by a second attempt with a dampened color catcher. So believe it or not, it does actually look a little better than it did. I'm going to wait to see how it dries, then probably do the ol' paint touch-up. Surely I've got white fabric paint somewhere. I really hate to see all that time--cutting narrow little strips, satin-stitching the hey out of everything--go to waste. But I also hate giving something to someone that's clearly in error. And I don't have time for a Plan B, other than buying him a card at Hallmark. Last I checked, they didn't sell "Happy Citizenship!" cards.

Now, that being said--here's the good news: I've got this whole postcard thing down! I like doing little mini art-quilts. They're fun! (This one is 5x7", btw, rather than the 4x6" I've been doing, as I'm not mailing it so I decided I could go a little larger.)

LATER ADDENDUM:

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A little white Tsukeniko ink, judiciously applied. One would never know there was a problem.

 

 

 

 

*Mom and I used to often go on a shop-hop in an Amish area about an hour away on a Friday in December. I'd take a vacation day, and we'd visit three or four shops, then have lunch at an Amish restaurant that had the best dang corn chowder. After Mom passed away, various of my friends have been happy to keep up the tradition with me, and so the Shirley DeMott Memorial Annual Shop-Hop was born. Sadly, the Amish restaurant closed a couple of years ago, but I think this time around we may finally have found a good little pub to replace it. Not Amish, and no corn chowder, but great burgers!

My mail was particularly beautiful last week

So, if you listened to either Daisy's most recent podcast episode or this one of mine, you know that I won Daisy's Twitter giveaway on Black Friday of a completed quilt top from her stash. I received it in the mail this week...

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I'd put my name in for it because I loved the colors and hey, it's a quilt from Daisy! Who wouldn't want one?

It was only later that I began to think...hey, that design looks familiar.

Here's  picture of a quilt I made for my son a few years back. Somehow I never got a picture of the finished product but trust me, it did get finished and it's currently on his bed in his apartment. (Or in a rumpled heap on the floor but I choose not to think about that.)

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It's a design from one of the Strip Club books, using 2 1/2" strips. (Please note--there are a few books in the series and I have a couple of them, so I grabbed a link to one but can't guarantee it's the book this design is in.) I'd always loved the design and had periodically thought over the years, "Maybe I should make myself another one...." Well, boy howdy. Now I don't have to! Wheee!

I plan to send this out to a longarmer, and I think it'll go on our guest room bed. Unless my daughter lays claim to it next time she's home, which she is wont to do.

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I also received this in the mail this week:

This is a lovely little keychain change purse from Jackie of Sew Excited Quilts.

It's so cute! And yes, it's on my keychain, although it doesn't have any change in it at the moment.

Perhaps next time I go on a shop hop or visit vendors at a show, I should put as many bills as I'm planning to spend in this, and leave the credit cards at home! (Of course, it also looks like it might be the right size to hold said credit cards...hmmmm....)

 

And the third thing I received has a little bit of a story behind it.

Several times over the last couple of years I've had the privilege of visiting one of our denominational mission sites, a residential campus about 90 mins outside of Phoenix for adults with developmental disabilities, named Rainbow Acres. It's an amazing place--I could go on for several blog posts. (If you're in the Phoenix area, I highly recommend you go visit and even volunteer there--you won't regret it!) The adults, referred to as "ranchers," have a variety of jobs they can choose from. One of the things that Rainbow Acres has become well known for is it's weaving. Several of the adults are gifted weavers and love doing it. A couple of the times I visited, the man who is their head weaver quickly took to his loom to show me how to do it, his enthusiasm for the task bouncing out of every word he said. When people purchase the weavings (or paintings, or other items created by ranchers), half the proceeds go back to the rancher him or herself. I'd purchased paintings on an earlier trip, but had admired some shawls they were making. Since I'd just bought the paintings I didn't feel I could also afford the shawl.

However, when I was there in July and we were visiting the weaving room once again, I saw a pile of skeins of yarn they had just received. As we fiber people are known to do, I made a beeline for the pile and dove my hands right into it. Oohing and aahing, I couldn't stop petting the stuff. It was a gorgeous shade of gray with variegated purples and blues, and tremendously soft. The staffperson doing inventory told me that had just arrived and they were deciding what to do with it. She then raised an eyebrow and said, "We do work on commission, you know." Sold. I asked for a shawl done with that yarn, and just received it this week (in perfect time for our ever-dropping temperatures!)

Front

Front

This type of shawl has a name that start with a P--not Pashmina--but I'm blanking. It's joined in the back but open in the front. It'll be perfect for my home office which is right above the garage and ever-so-much-nippier than the rest of the house.

In fact, I'm wearing it right now. Toasty.

Back

Back

Ah, to be surrounded by so much beauty. I can barely stand it!

Postcard Swap Reveal

Whoopee! Let me start with a big thanks to Sandi of Quilt Cabana Corner for hosting a postcard swap this year. Those of us who participated had a great time--and pictures have been flying this week as people started receiving their postcards in the mail. My partner and I have both received our postcards so now we can do the Big Reveal! (Cue theme music...)

Here's the postcard I received from Beth:

 

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I love the way she did the snowflakes, and the different fabrics in the tree. And did you notice that trunk is thread-sketched? Very cool stuff! Love it, Beth!

And here's the postcard I sent to Beth:

 

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The square motif is from an old Laurel Burch Christmas fabric. The background fabrics and fused binding are all my own hand-dyed fabrics.

I talked about how I did this in my most recent (as of this writing) podcast episode, Episode 136 In Which We Make Fabric Postcards. For what it's worth, anyway. My technique definitely needs some polishing, but I have fun with it, and that's the main point!

These postcards really do become a permanent part of my Christmas decoration collection. Proof: Sandi's postcard from last year and Beth's postcard from this year have pride of place on my mantel!

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#BFSI Report--Baby Quilts Finally Done and Delivered!

The two baby quilts are finally both done and delivered--woot!

Baby Quilt #1 started out as a Jacob's Ladder quilt.

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As per episode 133 "In Which I Have a Story of Heartbreak and a Rotary Cutter", it had some issues. (You can't see the issues in this picture. So let's all imagine it was beautiful and now has a happy home being a quilt somewhere.)

Baby Quilt #1 became Baby Quilt Remix. And although (as per episode 134 "In Which It's Just Snakebit") it also had some issues, a little judicious hand-stitching dealt with the problem and it was duly mailed off a couple of days before Thanksgiving.

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It's a Disappearing 9-Patch, arranged randomly, made from the scraps of Baby Quilt #1, with a few more added in since I didn't have quite enough of all of BQ1 fabrics left. (If you want to know about the colors, etc., you'll need to listen to the episode--don't want to take up space on that here again.)

I did a very light quilting in the ditch along the block lines and inner/outer border.

Hopefully it will provide many days of warmth and comfort to my little step-great-nephew. Or great-step-nephew. Or great-nephew-step, which is a dance craze soon to cross the nation. (Let's just call him my new little GSN and move on.)

And so I moved on to Baby Quilt #2 for my newly born great-niece. This one started out in my head as a completely different quilt. However, after all the grief of Baby Quilt #1, I seriously scaled down my plans and reminded myself with some vehemence, "It's a baby quilt! It's going to have all sorts of bodily fluids on it within a short period of time! Make it quick, simple, and highly washable!"

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Thus, another Disappearing 9-Patch, named "Admit One." I chose to do this one in red, white, and black, which is good for babies as those are reputedly some of the first colors a baby can see. I can't swear to that. My babies couldn't tell me these things at that age.

I quilted straight lines diagonally across the quilt, varying the widths between lines. I don't know that I'd do this again on a baby quilt. 1) It's amazingly hard to quilt in a straight line diagonally across the quilt, and 2) it made for a slightly stiffer quilt. I didn't think I was doing enough quilting to really change the drape of the quilt, but it's definitely not quite as soft as the first baby quilt. I'm not sweating it--it just would've been easier to stick with ditch quilting, so I'll do that next time.

(You might want to pause here for a moment and compare the two quilts. Both Disappearing 9-Patches, looking completely different with different fabrics and a different layout. This design is just too much fun to play with!)

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Oh, the "Admit One" thing? Here's the backing fabric. Mom is in theater, so it just had to be done. As my BFF/BQF Kate said when I found this fabric, "And now you can name the quilt, 'Admit One to the Family!'" Perfect! Hadn't even thought of that!

 

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Here's the one who got admitted to the family. Looks like she likes her new quilt.

It may not be Friday, but... Parmesan Crisps and Dipping Sauce

I haven't done a Food Friday in a long time, but was inspired today, despite it being Sunday. If you're a purist and want to read a Food Friday post on a Friday, I'll forgive you if you don't comment for a few days.

We're having our last big family hoo-hah of the Thanksgiving season today at my husband's aunt's house, and I was asked to bring an appetizer. After having cooked (and cleaned up after) Thanksgiving dinner this past week, I was in the mood for something very easy with limited dishes involved. After hearing them referenced on the most recent episode of The Splendid Table, I decided I wanted to try my hand at making Parmesan crisps. I did a little Internet research and ended up combining notes from a few recipes, then putting my own spin on it anyway. So here, for what it's worth, is my (usual kinda-sorta) recipe.

By the way, I used a really good Parmesan for this--none of the inexpensive pre-grated stuff that comes in a tall green jar (that shall remain nameless). That would likely work fine, but I've recently become a Parmesan snob and buy chunks of the good stuff at the grocery store and grate it myself. It's more expensive, but the flavor is so fantastic that a little goes a long way. And since this recipe is all about the Parmesan, I'd recommend ponying up for the good stuff. 

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Sandy's Italian Parmesan Crisps

Ingredients: 

  • A great Parmesan, shredded. (I used a Parmiagiano Reggiano available in my local grocery store). I ended up with about 4 cups, but it all depends on how many crisps you want to make.
  • 1 tbsp flour
  • Onion powder, garlic powder, dried Italian seasoning, dried basil leaves (to taste)
  • Salt to taste

1. Preheat oven to 375. Make sure rack is in center of oven. Prepare a baking sheet with a piece of parchment paper. 

2. Mix the ingredients together well. The flour will tend to want to head for the bottom of the bowl so I used my hands and kept tossing everything until I felt the cheese was well-coated with the seasonings. 

3. Drop cheese mixture in about tablespoon amounts onto parchment paper, spacing it about 3-4" apart. Spread out the cheese mounds until they're relatively flat but still tightly enough together that the cheese will melt into one piece. The more the cheese is mounded, the chewier the result is; a good crispy texture requires a fairly flat, rounded shape. Also, holes among the cheese will remain holes and make finished product more breakable--parmesan doesn't spread too much when it melts. So keep the cheese close together. My first two batches were a little trial-and-error to figure out what worked best

4. Bake for about 4-7 minutes, depending on your oven. They'll bubble first, but don't take them out while bubbling. They need to get a little past that point. You want them nicely browned but not burned. 

5. After removing from the oven, let the pan sit for about 5 minutes so they finish setting before sliding them off the parchment with a very thin-edged metal spatula. Move them onto a cooling rack covered with a piece of paper towel to finish cooling and setting. They're extremely delicate, so handle with care!

I believe my yield was something like 3 dozen crisps, but I wasn't really counting. Your yield will depend on how big you make your crisps. I'm carrying them to the party in a tupperware container with a lot of paper towel between each layer mostly to try to keep them from pulverizing themselves on the drive.

I also made a sauce to go with them. I needed something very lightweight so it wouldn't break the crisp when dipped, so I made a sort of marinara thing:

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Sort-of Marinara Sauce for Crisps:

In food processor, blend 1 can (28 oz) of diced tomatoes and 1 tbsp tomato paste with onion powder, garlic powder, and italian seasonings. (I used an Italian seasoning blend plus extra dried basil since I'm a fan. We're past season for fresh herbs here, but if I did this in the summer fresh herbs would definitely be the thing. I'd have used a real onion instead of onion powder if I'd had one in the house: This was sort of a make-do recipe.) Add salt to taste, and a pinch of sugar. Process until mostly smooth but with some nice texture to it.

The sauce is just thick enough to cling to the parmesan crisp but not break it. And yes, you could use leftover sauce next time you have pasta. :-)

I confess to having "taste-tested" several. Quality control and all that. I'm taking some risk posting this before actually taking the crisps to the party and finding out what everyone else thinks, but I'm fairly confident!

Reminder about Scrapitude Schedule and BFSI

It's Thanksgiving week here in the U.S., so it's time to start looking ahead to our traditional Black Friday Sew-In on Friday. If you've listened to one of my recent episodes you may recall that I'm not entirely sure what my schedule is going to be on Friday due to family being in from out of town, so Pam is going to be doing something for BFSI, as is Daisy. So be sure to check them out! (There are likely others--those are just the two I'm aware of at the moment. If you're also going to be hosting something on BFSI, leave a link to your blog in the comments so people can find you!)

I do know that my schedule will not include any shopping. My hope is that I'll be spending at least some portion of the day having my traditional Jammie Day with my sewing machine. So, mentally, I'm listing the projects I'll be working on.

One of those projects is, of course, Scrapitude. You may remember I get the new clues every month at my guild meetings. I posted November's clue the day after our November guild meeting. Back when Charlotte was setting this all up, our guild asked her to skip giving us a clue in December because everyone felt they'd be too busy with holiday gifts to keep up. So you've now got until January to catch up with Scrapitude! (Or, if you're all caught up, maybe do it in a second colorway! Or, if you're Daisy, a third!)

So, to recap: the next Scrapitude clue will be posted after my guild meeting in January--we meet the second Tuesday, so you can expect it within a day or two of whatever that date is. 

If you haven't checked out the Scrapitude Flickr group yet, be sure you do!

 

Seam Ripper Review Episode (with photos)

The podcast episode I just posted tonight (Episode 135 In Which We Rip It) is all about seam rippers. I do a quick pro-and-con about the three styles of seam rippers I now own. Here are some quick pics to go along with the episode.

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First, the three seam rippers side-by-side (left to right): a traditional seam ripper, the Olfa Rotary Point Cutter, and Havel's Ultra Pro Seam Ripper.

All are certainly up to the task, but they each have their benefits and draw-backs. You'll just have to listen to the episode to know (in my opinion, anyway) what those pros and cons are!

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A traditional seam ripper at work... (pardon the bad fingernail--it's that time of year when dryness abounds!)

There are actually a couple methods to using this one--sliding it under individual stitches, or sliding it between threads in the seam between fabrics. I just have more problems using it the second way because the pushing motion tends to push the fabric out of whack.

 

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The Olfa Rotary Point Cutter at work. This has been my preferred seam ripper for many years.

It was really hard for me to properly demonstrate this with one hand while holding my phone to take a picture in the other. But you get the basic idea: you simply cut the threads with the blade. When the blade is sharp--and it stays sharp for a very long time (again, listen to the episode to hear how old my blade is!)--all it takes is a little tap on the thread with the blade and it slices cleanly, Very fast and easy, and no stretching of the fabrics. And nope--no cuts! No cuts on fabric or on fingers!

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Finally, Havel's Ultra Pro seam ripper at work. This will take a little getting used to but I have high hopes.

Again with the problems of ripping a seam one-handed with a phone-camera in the other hand...and this time, being positive I was going to slice off an appendage in the process.

It's the same basic concept as the Olfa ripper. But with surgical precision. This one could clearly get into tighter corners to rip seams than the Olfa could. I also mention a few other particular types of sewing it would be useful for in the episode.

Hope this is useful information to you! Links to the items are in the show notes to the podcast episode at the link in the first paragraph.

...in which I'm AWOL...

This week is one of my work events in which I moderate a conference call every evening of the week; because we're a national organization we have to schedule the calls at Past-Our-Bedtime in Eastern time zones in order to hit Barely-Home-From-Work in Western time zones. And it always takes me a couple of hours to "come down" from the calls when they're over--IOW, stop my brain from spinning with everything we talked about on the call so I can finally (and generally with the help of pharmaceuticals) drop off to sleep. The first day or two I'm filled with energy and excitement. By mid-week, I'm dragging. By the end of the week, I don't trust myself with heavy machinery or sharp objects.

So I'm not able to post a podcast this week. Nor blogging. Nor actually touching my sewing machine.  

I have, however, made a priority of getting to the gym for as much time as I'm able between work and the conference call. Yay, me. 

Friday night is the last call and I have Monday as a comp day, so you should be hearing from me again soon. 

Scrapitude Progress and Linky #2

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I consider it a significant benchmark that I finally finished cutting all my Scrapitude pieces.

Woohoo, yay me, happy dance, n' like that. 

I got home Tuesday afternoon from my week of back-to-back meetings. Wednesday was a comp day, and I was a bit fried. I didn't feel like going out of the house to get batting for Baby Quilt Remix and was a little worried about trying to do any machine quilting, as tired as I was. I decided, therefore, it was a good day to crank up Netflix on my iPad (Midsomer Murders, my second time through the series) and simply knock out the rest of the cutting I had to do for Scrapitude. I do already have a little sewing done on the four-patches from Step 1, but not much. 

I'll be putting out a podcast episode this weekend (already started making my notes!). Meanwhile, I decided it might be time to do another Linky Party.  I'm going to leave this one open until next Wednesday so you'll have the weekend to make as much progress as you'd like. That also means you may want to check back periodically to see who has linked up!

Are you doing the Scrapitude Mystery Quilt by Charlotte? If so, link up your blog post about your progress so far here! 

Everyone else, check out the linkies below to see how everyone is doing! (You'll need to click on the InLinkz widget below to see the links or add your own.)

 

Memories of Sue

We have lost a shining light in our world.

This past weekend, one of the members of my quilt guild, Sue, passed away quite unexpectedly. She had been on our guild retreat but began to feel unwell; two of her friends had driven her home on Friday night and advised her husband to take her to the hospital where she was admitted for observation and testing. It was quite a shock to receive word that she had passed away late Saturday night. I'm glad my guild friends at retreat had each other for support and comfort in such a difficult time.

I just returned home from the calling hours at the funeral home (the funeral itself will be private). I went with three of my guild friends; when we arrived, the line was out the door and into the parking lot. There were several hundred people that wound their way through the funeral home and into the chapel to greet the family. I remarked to one of my friends that it went a long way to appease my sadness to see such an outpouring of love and the number of people whose lives Sue had touched in one way or another. Most of my guild were there, as well as members of several other quilt groups that Sue had been a part of. We talked about how none of us had even known how many things Sue had been involved in until people were running into each other at the funeral home and sharing stories of how they knew Sue.

Rather than a casket or urn in the funeral chapel, there was simply a display of a couple of her quilts and other handcrafts that Sue had made, with several professionally-done photos of her with her family. There was a small sign on the photos that said those photos had just been done the weekend before. What a treasure for the family to have.

As I'm writing this, I'm still trying to imagine our next guild meeting without Sue there. My head won't wrap around it. Next month's meeting will be hard in some ways, but in others it will give us the chance to have our own memorial, I suspect.

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Sue had a wonderfully dry, often sarcastic sense of humor. She led us in the Hokey Pokey and other stretch breaks during retreats, and then would quietly sit at her machine, periodically cussing it out under her breath if it didn't cooperate. (Okay, sometimes not quite so much under her breath.) If I teased her, I could rely on her looking at me with a twinkle in her eye while she said, with feeling, "Bite me." Sue made me laugh.

She also had a tremendous heart. It was Sue who spearheaded our monthly donations to a local women's shelter and often led other charity projects for other sites. Whenever I made a donation quilt, I'd hand it directly over to Sue with confidence that it would go where most needed.

I will miss Sue's laugh, her caustic wit, her willingness to be silly, and her fervent cussing at her machine. And I will miss her drive to make the world a more soft and comfortable place for people during their time of need.

The next donation quilt I make, Sue, will be in your honor. Thanks for all you did for our guild. I count it a privilege that I had the opportunity to know you. 


Hand-Dyeing Results

As you're reading this, I'm driving far, far away... 

I'm heading a bit south for a packed week of back-to-back meetings, starting as soon as I get out of my car at my destination on Wednesday afternoon. I get home next Tuesday, so I'm making this quick post to tide us all over until I'm home and might actually be able to accomplish something again. (Well, accomplish something other than getting some sleep.) 

You may recall that I did some more dye experiments on Sunday afternoon. The results are in!

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 Top and bottom left: I was testing out a new technique picked up from Ann Johnston's DVD. I soaked the fabric in soda ash, then laid it out on a table (one of my newly-recovered-with-vinyl tables!), and then slowly poured a little dye on at a time and rubbed it in with my hands. Top picture is using gray dye and very intentionally creating folds and pleats in such a way to create some directionality. The bottom left looked a lot better wet--it's actually a mix of three colors (gray, yellow, and yellow green). It would make a nice background if one were looking for that particular, slightly odd shade of yellow-green-gray, but it's also a good candidate for over-dyeing or some other surface treatment. It simply wasn't what I was picturing would happen. And that's why I love dyeing so much. I so rarely get what I was thinking I'd get--it keeps me on my toes!

Bottom right: two purple scarves I did as testers for someone to look at during my meetings this weekend. I'm probably going to be dyeing about 50 scarves in all, by next September, for us to give out as gifts at one of our events. The one on the left is silk, the one on the right is cotton, both the same dye and dye strength. Just gives you a sense of how different fabrics react to the same dye.

Center left: Just playing with a couple of other cotton scarves I had on hand. Not overly keen on the way either of these turned out--the colors aren't as vibrant as I'd have expected. I'll have to look up what type/weight of cotton this is because it definitely takes the dye color differently than my usual fabric does. 

Center right: 100% cotton yarn, done in an ice dye parfait. Interestingly the one on the bottom is the one that ended up with a lot of white left. I must not have loosened it up as much as I thought when I put it in the container. No biggie--I'm thinking I'll overdye it with yellow.  The yarn is slightly thicker than 8 perle cotton, I think. I'll be interested to work with it and see what it feels like.

And now for the really impressive ones. I did another ice dye parfait because I wanted to "break" my black and teal dyes to see what component colors would come out. Ice dyeing is one of the best ways I've found to break a dye. And what a fantastic way to see what colors go into making black and teal! 

This one was the bottom layer.

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This one was on the top. 

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All I can say is, wowzer. I'll be breaking a lot more of that teal dye!  

Oh, and I did get all my print scraps cut for #Scrapitude, finally, and started plugging away at the background. I plan on doing a marathon session of cutting when I get home next week. And then I'm home for a few weekends so I have hopes of catching up!

A Weekend Away

Just a bit off-topic, then back to our regularly scheduled programming. 

It's Sunday afternoon and we're back from our anniversary get-away to Niagara on the Lake, Ontario, Canada. We go every year because, forasmuch as we love to travel and see new places, it's nice to have one place to go you don't have to figure out. We know what restaurants we absolutely need to eat at, we nearly always try to see a play, and we pretty much always hike or walk most of the time we're there. Niagara on the Lake is a gorgeous town right on the point of connection between Niagara River and Lake Ontario, and it has a beautiful walkway along the Niagara Parkway and along the edge of the village. In October, it's beautiful.

 

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We were fortunate in our weather on Friday--a beautiful, crisp fall day. We walked almost all day; however, it started looking cloudy after lunch so on the spur of the moment we drove a half hour back down the road and spent the evening in Niagara Falls. Saturday was pretty cruddy--we got some walking in during the morning but it was wet the rest of the day, so we hung out in our room and read for awhile, then went to see a play and went out to dinner. Soggy, but relaxing.

I didn't take too many pictures, but I did throw them into a Flick album if you want to check them out. I had fun playing with the new panorama feature on iOs7. :-)

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When I got home, Mad Quilt Scientist took over and got busy in the basement again. 

In addition to some things I just needed to get done, I'm also testing out a couple of new techniques I saw on Ann Johnston's new "Color by Accident" DVD. I've been using her book for the last year but seeing her techniques on video is extremely helpful. I'll keep you posted.

Now, to get back on my sewing machine and finish off some baby quilts. Tomorrow is DS's 23rd birthday (not that I've aged a day) so we're taking him out to dinner tonight. I have just about enough time to finish the top of Baby Quilt Remix and maybe figure out backing... 


 

I know, I know, it's been awhile...

A mixture of being out a lot of evenings, having family events on weekends, trying to fit more exercise into my schedule, and having several days of being just plain' dumb-tired after work have meant that I've been a social-networking slacker of late.

The upside is that I've been getting some quilting done in there too. And I hope to get some dyeing in this weekend. So there is that. 

Also in the works: Two new interviews! Look at it this way: I'm not Podfading, I'm Podbrewing.  Things are just roiling around in my head until I have both the time and the verbal energy to sit down at my microphone again.

Meanwhile, back at the ranch: I've determined my winners for the 2013 Banned Books Week Challenge. Congratulations to Dianne, Jackie, Carol, Daisy, and Carole! Yep, I threw in one more book so all five of you could win something! I love being able to say thank you for playing along.  Whee!

I plan on getting a podcast out in the next couple of days even if it's a shortie. Bear with me... 

A Bit More about My Banned Books Week Quilt

The completed project

The completed project

I've had a couple of folks ask how I put together "If You Walk By." Fortunately I'd taken pictures during the process, half-thinking I might do a photo-journal of it, but that idea got put by the wayside this past week while I was completely immersed in work. (It was an "event" week that tied me up day and evening, even though I was home.)

So here it is, such as it is. I would definitely do a few things differently next time but I do want to use the basic process again. 

Rather than having a solid background, I wanted there to be distinct changes in the texture to give it a little more interest. This meant either piecing or fusing. I choose fusing whenever possible, especially when I'm under a deadline. So I decided to create freezer paper "templates," cut everything out, fuse it back together, and then satin-stitch over the "seams" to create line and definition. 

I also had the purple and yellow thing in my head from the get-go, and later realized I could also use this for one of my assignments in my Quilt Design Study Group. We're working our way through this book and the assignment was on complementary colors. Bingo. Since I'm a bit of a purist on my homework assignments, I needed to also use purple or yellow thread for the surface design. Fortunately, I had a great variegated yellow in my thread collection.

The rest of this photo-journal will be in the captions to the photos. 

Free-hand sketch of design directly onto freezer paper (matte side). The way I was going to be fusing this, I didn't have to worry about reversing anything so I just drew out the design the way I wanted it to end up. I also didn't worry too much abo…

Free-hand sketch of design directly onto freezer paper (matte side). The way I was going to be fusing this, I didn't have to worry about reversing anything so I just drew out the design the way I wanted it to end up. I also didn't worry too much about exactness--whatever I cut was going to fit back together so at this stage I worried more about making sure the general design was what I wanted.

This little 18mm rotary cutter is just the ticket for free-hand cutting of smaller pieces. 

This little 18mm rotary cutter is just the ticket for free-hand cutting of smaller pieces. 

I put fusing on my fabric. I'd have put it on the wrong side if there were a wrong side--these are my hand-dyes so it didn't matter which side it went on.  This is Pellon 805 if you're interested.

I put fusing on my fabric. I'd have put it on the wrong side if there were a wrong side--these are my hand-dyes so it didn't matter which side it went on.  This is Pellon 805 if you're interested.

I then cut out my freezer paper templates. I remembered to label them after I had the first couple cut out. If this were a more complex project, I'd have created myself a second drawing to use as a "map," but didn't feel the need on this. I also did…

I then cut out my freezer paper templates. I remembered to label them after I had the first couple cut out. If this were a more complex project, I'd have created myself a second drawing to use as a "map," but didn't feel the need on this. I also didn't leave any seam allowances because I didn't need them for this technique. 

I then pressed the freezer paper templates onto my fabric, where the fusing was on the back. This way, when I cut them out, they'd be ready to fuse in the direction I wanted them to appear. Again, I didn't have to worry about reversing anything in t…

I then pressed the freezer paper templates onto my fabric, where the fusing was on the back. This way, when I cut them out, they'd be ready to fuse in the direction I wanted them to appear. Again, I didn't have to worry about reversing anything in this technique. Very straightforward. 

And here I've reassembled the pieces in order. I'm fusing them onto a very thin piece of batting. I wasn't planning on doing much quilting and didn't want the "quilted" look, so I found a scrap of the thinnest batting I had. If I recall, it might ha…

And here I've reassembled the pieces in order. I'm fusing them onto a very thin piece of batting. I wasn't planning on doing much quilting and didn't want the "quilted" look, so I found a scrap of the thinnest batting I had. If I recall, it might have been a little leftover "Fusiboo," which is a fusible bamboo batting. I did overlap just by a hair a couple of the purples and yellows, because I thought that might give me more of a pieced look. In retrospect, I wouldn't do that again. It was unnecessary and there's a little shadowing in the finished project.

I press-tacked it all down (which is just tapping the fused fabric with the iron long enough to hold it in place but not be permanent) then carefully removed the freezer paper template pieces. When they were gone and I was satisfied with the placeme…

I press-tacked it all down (which is just tapping the fused fabric with the iron long enough to hold it in place but not be permanent) then carefully removed the freezer paper template pieces. When they were gone and I was satisfied with the placement, I pressed it to permanently fuse the layers. You'll see here I now also have a background fabric on the other side of the fusible batting, so everything got fused together at once. 

By the way, you'll note in the fused piece above that alot of the joins between colors aren't clean. The beauty of the satin stitch was that I knew most of that would be covered up. I did use my thread snips to clean up some of the edges, but not much.

I did a couple of tester stitches on my practice quilt sandwich I keep by my sewing machine for just this purpose--I wanted to make sure I had the width of the satin stitch where I wanted it. I then used the satin stitch on all the "seams". I haven't done a lot of satin stitching to date so I was pretty happy with the way that part of it turned out. Again, in retrospect, I'd have worked out the center a little differently--the way the stitching came together in the middle of the flower is a bit awkward. However, I will say that satin-stitching is fairly forgiving. I was able to go back in and stitch over a few places with new seams to clean it up some.

I don't have a picture of the original binding. I tried a new-to-me technique of cutting the backing enough bigger to fold it and bring it to the front, and then machine stitch it down so it's self-binding. I used the satin stitch there too. Hated the results. The stitching skipped over bulkier areas and I couldn't get the corners to look like clean miters. I set the project aside for a day because the binding really ruined the whole project and I wasn't sure how to fix it at the moment. In the interim, I finished a project I'd been working on for Laura Wasilowsky's Craftsy class and did her fused binding method. Bingo! I went back to this project and just fused a binding over the top of the original satin-stitched binding. Completely covered it up and looked a zillion times better. A little decorative stitch with that same yellow variegated thread, and I was suddenly happy with the project again.

So now I'm adding to my repertoire of "how to fix errors quickly" (a repertoire which includes Sharpies and rotary cutters), fused bindings. Very handy. 

Again, there are a few things I'll do differently the next time I do this, but I am planning on using this method again. I like having the look of a pieced background without having to figure out how to do the piecing. 'Cause I'm just kinda lazy that way.

And now, back to working on #scrapitude. 

My Banned Books Week Mini-Quilt

If you missed the original post with the information about this week's Banned Books Week mini-quilt challenge and giveaways co-hosted by Tanesha of CraftyGardenMom podcast and myself, click here.

I wanted to try to embed a gallery of the Flickr group with everyone's entries so far but the Interwebs are not cooperating with me today. Here's a link to the Flickr group. Be sure to check it out!

My Banned Books Week Challenge is "If You Walk By."  I used a few new-to-me techniques on it so there's a couple of rough patches but I'm mostly very pleased with the way it turned out. And, yep, my own hand-dyes.

"If You Walk By" by Sandy Hasenauer, Banned Books Week 2013

"If You Walk By" by Sandy Hasenauer, Banned Books Week 2013

Listen, God love everything you love? and a mess of stuff you don't. But more than anything else, God love admiration.

You saying God vain? I ast.

Naw, she say. Not vain, just wanting to share a good thing. I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it.

What it do when it pissed off? I ast.

Oh, it make something else. People think pleasing God is all God care about. But any fool living in the world can see it always trying to please us back.

Yeah? I say.

Yeah, she say. It always making little surprises and springing them on us when us least expect.

You mean it want to be loved, just like the bible say.

Yes, Celie, she say. Everything want to be loved. Us sing and dance, make faces and give flower bouquets, trying to be loved. You ever notice that trees do everything to git attention we do, except walk?

(From The Color Purple, by Alice Walker) 

I must have read and written papers on The Color Purple about five times through my college career, and somehow I never minded that it kept showing up on the syllabi of my English Lit classes. Every time, I read it over again. Every time, I got a little something different out of it. When the film version came out late in my college years, I pretty much had the book memorized and was pleased to see that the film stayed fairly true to the novel. In fact, I'm reading the book again this week in recognition of Banned Books Week. I might even watch the movie again.

The Color Purple is a book about finding one's voice, finding one's power, learning to write one's own story. It's about racism, sexism, and abuse, but it's also about deep friendships that help one grow into more than one would be alone; it's about love, it's about healing and reconciliation. It's about strength. It's about faith.

Oh, and by the way, there's a quilt in it.  

 'Nuff said. 



Banned Books Week Challenge and Giveaway!

Woohoo! After months of planning, Tanesha at CraftyGardenMom podcast and I are finally able to officially launch the 

2013 Banned Books Week Challenge and Giveaway!

Post your Banned Books Week projects in our Flickr group anytime this week (September 22-28). Tanesha and I will be haunting the group and choosing winners at random throughout the week. We've each got a number of great prizes to give away so you really want to get in on the fun! (Need to remember what the challenge is? Click here.)

I'll have four winners myself--Thanks to C&T Publishing/Stash Books and Tanesha, I've got four books to give away! (One per winner, my choice).

 

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Bright & Bold Cozy Modern Quilts, by Kim Schaefer, is her follow-up to her first book, Cozy Modern Quilts. All of the projects in the book are made up of just two shapes: squares and rectangles. They're simply put together but with beautiful results. There are 20 projects in this book: lap quilts (some quite sizeable!), wall quilts, table runners. This book is great for beginners and folks who have been around the quilt block awhile, alike! Great ways to bust your stash, or great excuses to pick up some new fabric.  

 

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Modern Mix by Jessica Levitt is 16 sewing projects (quilts, pillows, bags, and more) that combine solids and designer prints in beautiful ways. The book is divided up into sections based on how the solids are used: as background, in strips, as accents, and projects that only use solids. There is also a section with some design tips and, of course, basic sewing techniques. This book will definitely have you looking at your stash a little differently, or maybe planning on some stash enhancement.

 

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A Month of Sundays: Family, Friends, Food & Quilts, by Cheryl Arkison is really an entire lifestyle book. It has 16 projects that are "pre-cut friends," as well as recipes and ideas for ways to relax with your family, friends, or just by yourself. The quilt designs are modern in sensibility, low-volume in color choices (although you could certainly adjust that to your own taste), and fairly simple to piece. There are plenty of other projects, such as little fabric flags, game surfaces, napkins, and other small projects meant for family fun time. This book fits right in with everything I've been saying about the Slow Quilt Movement!

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And finally... QuiltEssential: A Visual Directory of Contemporary Patterns, Fabrics and Color, by Erin Burke Harris. I have a ton of quilt reference books on my shelves and still, boy-o, was I tempted to keep this one! Harris has put together a basic reference book with information about quilt math, types of fabrics, design elements, different quilt "genres," and techniques, interspersed with spotlight articles on some current modern quilt artists. The layout is extremely user-friendly, and the photos are both helpful and beautiful at the same time. If you're a beginner, you would definitely want to have this one on your shelf, I think; if you're a not-so-beginner, there may be pieces of information in here missing from your other reference books (like I found!). Great stuff.

So that's it! In order to be eligible for this giveaway, just include photos of your finished Banned Books Week Challenge projects in our Flickr group for the challenge, clearly labeled with "2013" somewhere in the title or description so we can keep them straight from last year's. Don't forget to include your artist's statement or a link to your blog where your artist's statement resides. Tanesha and I will be choosing winners through the week, including Monday, September 29th just to give you that one last Sunday evening to get yours posted. Don't forget to visit Tanesha's blog throughout the week to see her giveaways!

I'll be posting about my own challenge quilt later this week, as well as posting pictures of my local public library that's displaying our guild entries in this challenge during the week as part of their own Banned Books Week publicity. They may even show pictures of your quilts from the Flickr group! 

Looking forward to seeing your entries, and good luck on the giveaway! 

Scrapitude Progress and Linky Party #1

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Here's how far I've gotten on Scrapitude, and I started a whole lot sooner than all y'all!

I still have about 60 scrap squares and nearly all my background to cut.

 

 

 

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But wait! I do already have bunches of squares sewn into pairs. Okay, so I cheated a little. I raided a project bin I'd started last spring to do a Jacob's Ladder scrap quilt. Holy Moly, I have enough 2 1/2" squares for probably four Jacob's Ladder quilts after I get Scrapitude done, so all's fair in UFOs and Finishes.

 

 

 

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And, since I did that little tutorial on nested seams in four-patches last time, I do have two four-patches done. Yay me.

 

Are you doing the Scrapitude Mystery Quilt by Charlotte? If so, link up your blog post about your progress so far here! 

Everyone else, check out the linkies below and cheer people on. And who knows? You might just catch the bug! (You'll need to click on the InLinkz widget below to see the links or add your own.)