Second Quarter 2014 Quilty Resolutions Check-In

Holy cow, where did the last three months go? Suddenly, it's time for a check-in and I feel like we just finished the last one!

But, there it is. Time for the second quarter check-in on how you're doing on your 2014 Quilty Resolutions!

For those of you who gave me your resolutions through my blog, here's the spreadsheet with your resolutions to help you remember what all you'd thought you might get done. (As I mentioned before, I've removed email addresses!)

For those of you who didn't participate in my 2014 Quilty Resolutions giveaway, you can still play along now! Just report in on whatever quilty resolutions you did make.

I'll be drawing a name at random from the Rafflecopter widget below on Sunday, July 6. The winner will get these four lovely fat quarters!





 

For some of you, this will be a two-step process. For others, only one!

First step for everyone: Leave a comment on this blog post with your progress, and then make sure you enter the giveaway via the Rafflecopter widget immediately below. (I'll only see your name through Rafflecopter for the drawing, I won't be trying to count up names in the comments.)

NOTE: My first Rafflecopter giveaway ended a day earlier than I planned so I've done a new one to run on Saturday only. All prior entries are still preserved in the original Rafflecopter--this new one will simply be for people who have not already entered. I'll figure out how to choose the winner between the two!

Use this Rafflecopter widget on Saturday, July 5. I'll draw the winner on Sunday, July 6.


Second step for bloggers: If you've got a blog, write about your progress on your quilty resolutions and link up here! To enter the linky party, click on the link below reading "An InLinkz Link-Up." Follow the directions. (Remember, you still have to enter the Rafflecopter giveaway above. This linky party is just so others know about your blog and can come for a visit!) No fears--participating in the linky party does NOT earn bloggers an additional leg-up than non-bloggers in the giveaway. It's just for kicks n' giggles!

For everyone--click on the link to the linky party below to see who-all has linked up, and go read their blogs! It'll be good times!

The giveaway and linky party both close on Saturday night, July 5th, at midnight my time. I'll be doing my drawing on Sunday morning, July 6th. Again, I'll only draw from names entered in the Rafflecopter widget so be sure, after you've left a comment on this blog, that you go back into that Rafflecopter widget to say that you've left a comment!

I'll be posting my own progress in a separate blog post. Looking forward to seeing yours!

A Finish in a Furniture Form

Okay, that alliteration was a little more work. Ahem.

Cutting table from "front" (the side I stand on to cut)

Cutting table from "front" (the side I stand on to cut)

I finally got my cutting table done! Talking about it on this weekend's podcast episode renewed my motivation to tie up loose ends.

This is the table I decided to make based on Tanesha's (of CraftyGardenMom Podcast) description of doing one herself. It's all over Pinterest--just look for "book shelf cutting table" or "cutting table with Target bookshelves" or something like that.

In any case, I'd done most of the work over MLK Jr weekend (listen to the whole tale here, and a little more about it here). However, I'd lost steam before getting to the finishing touches and every time I pulled the stuff out to do it, I just got all-over-tired again. And, frankly, the table was working just fine for me and no one else sees the room so it's unfinished state wasn't all that bothersome.

Finally, Sunday...after putting 18 more scarves into dye baths (found a few more containers!), and also (finally!) getting my seasonal wardrobes sorted out into "keep, toss, donate, put away for winter" piles, I decided to keep the "Get 'Er Done" mode going and tackled the cutting table. It would be nice, after all, not to have the unfinished pressboard edges of the melanine top keep snagging my clothes when I leaned in to cut.

All I had to do was sand the edges and iron on the edging around the top...yes, you heard me right... iron on edging for a piece of furniture--and then use 3M strips to stabilize the cutting surface. It all took me maybe an hour, tops, and none of it was hard although I suspect my shoulders will be whining tomorrow from bending over at an awkward angle to hold what I now know to be a remarkably heavy iron against the edge of the table.

Cutting table from open end--looking towards where I stand to cut. You can also see what a fan I am of 3M strips and hooks here--that's how all my rulers and pictures are hung on the wall. Very handy!

Cutting table from open end--looking towards where I stand to cut. You can also see what a fan I am of 3M strips and hooks here--that's how all my rulers and pictures are hung on the wall. Very handy!

I'd also thought I might attach the bookshelves to one another with 3M strips but they didn't want to hold, so I bagged that. I don't exactly live in an earthquake zone and they seem to be standing just fine. The usual method is to bolt these puppies together with metal brackets but I wasn't sure I wouldn't just drill a screw through into an open shelf--felt way too risky for me to do something I don't really think is necessary in my setting. In any case, if I ever want to move them, I'd prefer to move individual bookshelves--once these are bolted together no one would be moving them anywhere. 

I did, however, use 3M strips between the tops of the bookshelves and the melanine top to keep the top from slipping. It's actually heavy enough that it hasn't slid on me much over the last several months anyway, but once in awhile if I leaned way in to square up a corner of a quilt or something, it would start to slip a little. Four of the long 3M strips, one near each corner, seems to be holding it just dandy, and I left the tabs hanging out a little so they'll be easy to remove if I ever have to move this thing. You can't see the tabs in the front which is the only part anyone else ever sees.

A tip here, if you make one yourself--I lined up the top so it's flush with the back edge and has a couple of inches overhang on the front edge, where I stand to cut. I figured that gave me a little bit of toe-kick room. It's very comfortable.

Because of the space in my room I wasn't able to leave all four sides open, but having three sides open gives me plenty of ways I can maneuver around if I'm basting or squaring up a quilt or anything that needs more elbow room. And it's so much more storage than I had before that I don't cry about losing the bookshelves that are facing the wall. The shelving on the back side has proven to be a great place to stash some office-related stuff I never had storage room for before, such as off-season storage for the little space heater I use at my feet in the winter, some extra power strips, hand weights that never get used but always live in hope...

Look at all that lovely surface space! That's a 36x24" cutting mat.

Look at all that lovely surface space! That's a 36x24" cutting mat.

Mostly, I just love how much room I now have on top. If I recall all the measurements, it's only a few inches larger than my old Joann's cutting table, but what a difference that few inches makes! You may be able to tell from the pictures that it faces my office desk: When I'm going to be in a long cutting session, I take my computer monitor from my desk and put it on the far side of my cutting table so I can watch Netflix, Craftsy classes, or The Quilt Show. It's big enough, of course, that I have to be careful not to let it get too stacked up with stuff. Every now and then I have to go through and sort out piles around the edges and get things put away. But still, I love that stuff can get stacked up and I *still* have plenty of room to work!

So, it may not be a quilt, but it's a finish. And it's a finish that feels like a gift that just keeps on giving...

 

Postcard Swap Reveal (and a Little More about Cindy Needham)

If you're looking for the original resolutions check-in blog post with the Rafflecopter giveaway and Linky party, click here.

...but life moves on...

Thanks so much, once again, to Sandi of Quilt Cabana Corner for hosting another seasonal postcard swap! This time around the theme was summer, and we were supposed to get them to our partners by June 21st, the first day of summer. Oops. Well, if I got my postcard *finished* on the first day of summer, that still counts, right? I got it in the mail on Monday, the 23rd, so I wasn't too far off. Sorry, partner!

My partner for this swap was @eileensideways (aka Sue). She sent me her postcard way in advance because she's in the midst of a move and was afraid she'd lose her supplies in boxes. Here's the card she sent me.

It definitely took me back to childhoods at our summer cottage on Lake Ontario. The bay our cottage was on was always filled with sailboats. We even had sailboats of our own periodically, although of the little "sunfish" variety, with all the requisite adventures and misadventures ensuing. This postcard breathes summer to me--thanks, Sue!

Great fabric choices, by the way--and I love the detail of the star on the sail. Altogether, a very fun postcard that I love having hanging on my wall!

For the postcard I was to make, I'd known immediately what design I was going to use as soon as I signed up for the swap. It just took me awhile to get around to doing it. Ain't that always the case?

If you've been following my blog for awhile, you might recall Chicken Butt. I ran a challenge about three years ago to do something based on children's artwork, using fabrics entirely from your stash. Chicken Butt is based on an art class project of my daughter's when she was in high school (original drawing pictured at left). Here's the blog with the backstory.

 

And here's the finished product. I just love this guy--he makes me grin every time I see him. Consequently, I've been wanting to do a series about the Adventures of Chicken Butt. And so, the summer postcard gave me the perfect opportunity.

 

 

Introducing: "Chicken Butt Takes a Dive."

It's all fusible applique, all with my own hand-dyes, except Chicken Butt himself, who was done with a tone-on-tone white I had in my scrap bin. I'd debated whether to do his feet and cockscomb as threadpainting, but ultimately ended up doing them as little-bitty-put-them-on-with-a-tweezer fused pieces because I didn't have a thread the right color. Really. Tweezers.

I made some quilting design choices based on Cindy Needham's Design It, Quilt It class on Craftsy (see my review here).  I'd outline-stitched Chicken Butt and the clouds, but he still wasn't standing out enough. Recalling what Cindy Needham had said about "sunshine and shadows", I used her scribble stitch throughout the sky to really make everything else pop. It worked beautifully. Then my swirls in the waves didn't turn out quite as well as I'd hoped, so again recalling Needham's lessons ("If you have an awkward moment, fill it with a distraction") I went back in and just did a few more whonked swirls and, overall, it doesn't look half bad. I did a fused binding again, a la Laura Wasilowski's Hand-Stitched Collage Quilts class on Craftsy. I find fused bindings the easiest for me to do on postcards. easy, stable, and a whole lot faster than satin-stitching those edges.

And so, Summer Postcard Swap complete. Thanks, Sandi--and thanks, Sue!

My daughter got a kick out of seeing how her past art lives on. I may have to do a larger version of Chicken Butt Takes a Dive to hang on my wall next to the original Chicken Butt.

Which begs the question: How many more times can I manage to say Chicken Butt in one blog post? Chicken butt chicken butt chicken butt...


Craftsy Class Review: Design It, Quilt It, with Cindy Needham

I wish I could figure out a way to do otherwise, but I have no pictures to go with this review. I used things I learned from this class on a project that is not able to be revealed yet. So you'll just have to wait!

NOTE: Perfectly timed! This class is on sale this weekend on Craftsy! Links below...

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Design It, Quilt It with Cindy Needham felt like, as it turned out, the logical next step to the machine quilting classes I've been taking this year. Wendy Butler Berns was very much a "Hey, rank beginners can do this with no sweat!"-type class; Ann Petersen's class took things a step further in terms of complexity, and Cindy Needham ties things up into a neat little bow. To a degree, I feel like I could just take these three classes and move myself light-years further in my machine quilting. That being said, I have a boatload of machine quilting classes left in my queue to work through so we'll see where I'm at next year!

Design It, Quilt It doesn't have a specific class project--it's all about choosing quilt designs, making stencils your own, and all sorts of helpful other things to know as you get further into machine quilting. She does start from the basics so if you've never machine quilted before, I do think you could start with this one. Just know that there may be some easier classes to start with!

In lesson two she describes her method for pin basting, which is pretty similar to mine, but I still picked up some good tips. Even if you are generally happy with your way of doing something there's always value in watching someone else's method--you may see a new tool or tweak to the process that you find helpful. And yes, I bought the basting clamps she mentioned in the materials. I talked about that in a recent podcast episode so I won't go into it here.

Lesson three is all about threads. Given that she's a national teacher for Superior Threads, you would expect that she'd have a lot of really great information here! And, although she does mention some specific Superior Threads and doesn't mention any other threads by name, you don't get the sense that you're just watching a Superior Threads commercial. It's just very helpful, general information that applies across the board. She also has a really helpful demonstration of tension that uses visual aids. If you're still a little confused about thread tension, this is definitely worth your attention!

Lesson four has some really helpful information about how to position your hands and arms (and fingertips) for quilting designs with various levels of detail. Different arm/hand positions allow for different level of detail. That's not something any other machine quilting teachers have dealt with so clearly--I really appreciated her discussion of that and found myself adjusting how I was positioning myself the next time I sat down to machine quilt.

She has a little different approach (more meticulous) to stabilizing than I've seen before, but she has good examples of why she prefers her method. There was some conversation on Twitter amongst several of us who had taken her class about how we felt about her approach. I think we came down on the side of most of us feeling like she was probably right, but most of us were unlikely to take the time to do it!

The remainder of the lessons go through a variety of ways to choose quilting designs, tools to use to create your designs, design principles, and some basic quilt designs themselves. I found that this class had a lot more really useful information about marking than other classes (in a variety of methods using a variety of tools)--most of the other machine quilting classes I've been taking have emphasized non-marking methods. I do like non-marked methods, of course, but every now and then you may want to do something a little more exact or complex that will require a little pre-planning and yes, even marking. I've marked quilts and used stencils in the past but I've always kept it fairly simple--this one gives me a little more confidence to try more complex things in the future.

I found her conversation about design particularly useful. One of my issues has always been trying to decide how to quilt something to the best effect. She walks through four main elements of design in terms of designing your quilting designs; her examples and descriptions really helped me think through some UFOs that are on deck. I'll definitely be going back and reviewing this information each time I pull one off the shelf to quilt.

She does, of course, talk about feathers. What's a quilting class without teaching a way to do feathers? Her method is a hair different in the particulars than Ann Petersen's. I really enjoy seeing how everyone approaches the same thing, so I can pick and choose what would work best for me. She also has some great background "filler" designs--some I've seen before, some I hadn't picked up on. I'll definitely be putting those into play.

And, finally, the last lesson is all about how to make borders fit. Some great information there!

This is a fantastic class to have for reference. I'd especially recommend watching this if you think you might want to use stencils in your quilt design--she's a big fan of stencils (she used to design them herself) and has great ideas for how to use them in creative ways. I'd recently taken all my stencils out of my sewing room and down to the dye studio to use for resists and the like instead--I had so rarely used them in my sewing it didn't seem worth the space. Now I'm thinking I might go rescue some of them and see what I can do!

So, another class highly recommended. Again, if you've never machine quilted before, you could probably still go ahead and start with this one. But I find myself wanting to suggest you start with a different one first and then come to this one when you're ready for more complexity.

To recap: That's Design It, Quilt It, with Cindy Needham--and it's on sale this weekend!

The basics:

  • 11 lessons, ranging from 10 minutes to 47 minutes long, most in the 20-30 minute range (you really get a lot of bang for your buck on this one!)
  • Lesson 1 is the usual introduction, though it's interesting to hear her backstory
  • Lesson 2: Pin Basting (with some information about batting); Lesson 3: Threads & Tension (loved this lesson!); Lesson 4: Techniques & Tools: Lesson 5: Stencils (she talks about stencils throughout, but this one really gets down to nitty gritty); Lesson 6: Medallions; Lesson 7: Design Basics; Lesson 8: The Basic Three (quilt designs that can be modified in a variety of ways); Lesson 9: Feathers; Lesson 10: Backgrounds (fillers--with great examples of the effects of each); Lesson 11: Making Borders Fit.

I took a ton of notes, but my favorite quote from the class was: "If you have an awkward moment, fill it with a distraction." LOL--but it's true! Had occasion to try it on my next project and it worked beautifully!

I highly recommend this class!

(Transparency statement: Clicking on links in this blog helps support this blog and podcast. Thanks!)

 

Craftsy Class Review: Perfect Pizza at Home with Peter Reinhart

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Yes, I got another class completed this month! I introduce you to... Perfect Pizza at Home with Peter Reinhart.

(Before you gluten-free folks out there think, "Pizza? I can't eat that, I'll stop reading this post right now...." Stick it out. You'll get rewarded at the end!)

This is a quick little freebie class--one of the freebies that Craftsy offers to rope you in...I mean, to introduce you to the Craftsy platform. I chose it because we're big fans of pizza in our house, especially grilled pizza, and because I really like Peter Reinhart as a teacher. (Click here to see my review of his Artisan Bread Making class.) He's really good at what he does! It's been waiting for me on my list of classes for a long time, only because making pizza from scratch takes time I don't often have these days. But I found myself with a little time available this past weekend so bumped it up to the head of the pack.

Fri PM pizza--using Reinhart's sauce recipe with my own dough recipe (for speed). Standard toppings: tomato sauce, sliced Roma tomatoes, fresh basil from my garden, shredded mozzarella.

Fri PM pizza--using Reinhart's sauce recipe with my own dough recipe (for speed). Standard toppings: tomato sauce, sliced Roma tomatoes, fresh basil from my garden, shredded mozzarella.

The lesson on pizza dough felt pretty familiar to me, having already done his bread class. Other than the process of making dough, however, he goes through four different recipes for dough, depending on what style of pizza you want, and talks about the slight difference in baking and results given the different doughs.

The catch here: These dough recipes all require refrigerating overnight, which I hadn't realized when I set out Friday afternoon to make pizza for Friday night dinner. So I stuck that dough in the fridge and then went back to my usual pizza dough recipe that only needs to rise about an hour or so. But I did use his sauce recipe for the Friday night version. The sauce recipe is very simple, requires no cooking, and was exactly the kind of sauce we like! Definitely a keeper.

After doughs, he talks about sauces and toppings--pesto, tomato sauce, herb oils, and then options for what goes on top of the sauce. Again, recipes are included in the class materials, and he does a nice job talking through considerations for ingredients, possible substitutions, and what each ingredient brings to the table. By the way, if you're a fan of cheese--he spends several minutes talking about different cheeses, fat contents, moisture contents, and flavor profiles, including a couple of cheeses I'd never even heard of!

Saturday Lunch pizza--his dough, his stretching method. It looks more pale in this picture than it was. I always brush olive oil with herbs and garlic on the crust right before and immediately following baking, so that's what you're seeing on the cr…

Saturday Lunch pizza--his dough, his stretching method. It looks more pale in this picture than it was. I always brush olive oil with herbs and garlic on the crust right before and immediately following baking, so that's what you're seeing on the crust. This version: Parmesan cream sauce, caramelized onions, spinach, and goat cheese. Yum!

The lesson on making and baking pizzas includes a demonstration of how to stretch the dough with your hands--not the tossing-in-the-air-and-spinning technique (and he explains why that wouldn't work with these dough recipes), but a gentle turning around your fists to make it stretch evenly and in a neat circle. I tried it for the first time making both pizzas and it worked well, but I had problems getting them round. Fortunately, geometry has no impact on flavor.

Finally, he walks through the making and baking process for each style of pizza, offering lots of great tips and what to watch for along the way. When the demo pizzas come out of the oven, he then discusses several options for finishing touches and presentation.

Focaccia prepared for second rise, doused in herb oil. I used an Italian seasoning blend with garlic powder and a little salt for the two that are green; the third is the same blend with some paprika added just for fun.

Focaccia prepared for second rise, doused in herb oil. I used an Italian seasoning blend with garlic powder and a little salt for the two that are green; the third is the same blend with some paprika added just for fun.

One of the pizza dough recipes is a focaccia recipe, so when my MIL asked me to bring an appetizer for Father's Day dinner at her house, I jumped at the chance to make that one too. You refrigerate it overnight in the cake pans, so on baking day you just add your herb oil, do another "dimpling" with your fingers, give it a second rise (1-3 hours depending on a lot of factors) and bake. It seems like an impressive dish to other people but the dough is super-simple and does most of the work itself while you're off doing other things. Note here: I had to go back to the Artisan Bread class for more complete information about making focaccia; in the pizza class he uses the focaccia dough for making pizza and gives only cursory information about the baking.

Focaccia complete. And very yummy, too.

Focaccia complete. And very yummy, too.

The catch with the freebie classes is the course instructors don't necessarily participate in the conversations the way they do on their for-sale classes, but there's always an active conversation among students. So you should still feel free to ask questions--surely someone will answer! It's also worthwhile to read through others' questions and the responses to see what tips you might pick up.

One thing I've learned from doing a few cooking classes on Craftsy--print off all the materials first and have them at your side as you're watching the lessons. Often the course instructor gives extra information or clarification in the video lessons that's not on the materials. Yes, I take video notes, but I often prefer to have the printed version at my side while I'm actually cooking, so it's helpful to write the info from the video lessons on the print materials for reference later. (For example, in the pizza class, you won't find the information about baking in the print materials--that's in the video lessons.)

Is it the perfect pizza? Depends on your definition of perfect but I have to say, it's pretty dang good. Being able to do a nearly side-by-side comparison between his dough recipe and method and my usual one: his had a nicer texture, I think. Flavor-wise, hard to tell as I added herbs to my usual recipe and didn't when I did his recipe--I probably will do that in the future; I love herbs baked right into my crust. The pizza dough recipe made enough that my daughter and I each had a "personal sized" pizza for lunch, and I froze five more personal-sized balls of dough for later. (I didn't cut them completely evenly--probably could've gotten six if I'd weighed them out.) The focaccia recipe makes three pans full, if you're using round cake pans or, in my case, two cake pans and a deep dish pie plate.

The Basics:

  • It's free!
  • 6 lessons, ranging in time from about 5 minutes to nearly 40 minutes
  • The first lesson is the usual less-than-one-minute introduction to Craftsy. if you're an old hand like me, you can just skip that one. Lesson 2 starts the class proper with a discussion of the class and then a little more about the Craftsy platform.
  • Lesson three is about dough, lesson four about sauce and cheese, lesson five about making and baking the different styles of pizza. And then some of you will be thrilled to see lesson six: Gluten-Free Pizza. Yep, there it is, gluten-free folks--your reward! I didn't test that recipe out so I can't speak to it. But I trust Peter Reinhart!

I highly recommend this class. Why? First of all--ummm...it's free? Why not? Second, I'm a fan of Peter Reinhart, as I said before. You can tell he's been teaching for awhile--very smooth, easy to watch and easy to follow, knows how to fill time with more great information while waiting for things to bake, and shows his enthusiasm for his topic. Plus, even though I've been making homemade pizza for awhile, using a few different methods, I still learned a lot from this class!

Again, that's Perfect Pizza at Home with Peter Reinhart, and it's free!

(Usual transparency statement: Clicking on Craftsy links in the blog help support this blog and podcast. Thanks!)

Craftsy Class Review: Homestyle Pan Sauces with Martha Holmberg

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Yum.

Somewhere along the way, from some Food Network cooking show or another, I picked up the little tidbit that a simple sauce can go a long way towards making a basic piece of meat seem just that much fancier. I've mostly only waded in the gravy pond when it comes to sauces, but have always wanted to learn more. This class is definitely the way to go!

I actually started this class late last fall and did several of her recipes back then. A couple of days ago when I was tooling through my class list trying to decide what to do next, I looked at this one and realized how close I was to finishing it. Apparently I'd gotten distracted by the holidays. So, now...done!

Homestyle Pan Sauces with Martha Holmberg walks you through the steps of making several sauces, from simple to slightly more complex, though all of them are things you can do pretty easily on a weeknight. As usual in Craftsy food classes, there are several recipes available but each recipe is used as a way to teach different techniques that you can apply across the board.

The class begins with some basic information about pans, tools, and supplies, then the best techniques for seasoning and browning meat. I've been browning meat for years, and still picked up some good information. After laying this foundation, the rest of the lessons work through various types of sauces and techniques that you need to know in order to pull them off with success.

Again, none of it's complicated!

Blue Cheese-Stuffed Strawberries with Balsamic Reduction

Blue Cheese-Stuffed Strawberries with Balsamic Reduction

The first sauce she teaches is a balsamic reduction. I'd done reductions once or twice before, and rarely with confidence that I was doing it right. But after watching her do it, I created a balsamic reduction that weekend to use in an appetizer for a party I was hosting--and it turned out beautifully! (Have you ever had Blue Cheese-Stuffed Strawberries? Yum. I used what I'd learned about balsamic reductions in this class to make the strawberries and it was beautiful.)

Lesson two works with additional kinds of reductions, as well as doing some teaching around aromatics. (She spent a lot of time talking about chopping and sauteing garlic--again, something I've been doing for awhile but still learned something.) As she talks about the reductions, she explains different types of liquids you can use, things to be aware of with each, and what you're trying to accomplish in the cooking process. I loved the amount of information she gives behind each step. She also gets into using cream and cheeses in sauces.

The rest of the lessons are different types of sauces, gravies, and jus, each again teaching several techniques within the lessons. Even if you're not interested in the recipe or type of sauce she's talking about in that lesson, it's worth watching anyway just to see what other techniques and information you might pick up. I'd also made her recipe for Chicken with Meyer Lemons and Capers last fall (never took a picture--sorry!)--it all went fine as per her technique, but we only very rarely see Meyer lemons in these parts, and using regular lemons instead made the sauce too sour for our tastes, even though she said you'd use the same amount either way. I'd still make the recipe again, I'd just cut way back on the amount of lemon I use. In another lesson she has a Lemony Cream sauce for pasta with vegetables--I made that recipe too (again, no pictures--sorry!) and liked it quite a bit.

Martha Holmberg is, as I've said about so many other Craftsy teachers, very good at what she does. You can tell she's got a lot of experience teaching. She's very easy to follow, easy to watch, and she occasionally throws in a little humor--nothing rip-roaring, but enough to make me chuckle.

And she has a way of talking about food that can turn one's head. No one in my family likes caramel sauce but I still sat and watched her bonus lesson on salted caramel sauce and found myself thinking, "Hmmm. Maybe I would like it if I made hers!" Probably no time soon. We really don't like caramel here. But still, she's that good.

The Basics:

  • 7 Lessons ranging in time from about 15 minutes to around 40 minutes.
  • The sauces start right out in the very first lesson--she takes just a few minutes to introduce herself and the course, and then gets right down to business. The lessons include  working with multiple reductions, butter, cream and parmesan, vegetables and herbs; reduction sauces--base liquids, spices and herbs, more about aromatics, a lemon cream sauce, using sauces on pasta and vegetables; gravy; jus; and the aforementioned salted caramel sauce.

I did like her recipes--or will, once I adjust for missing ingredients--but even beyond that, I learned quite a bit from watching the lessons even if I hadn't made those specific recipes.

So I highly recommend this class. A quick sauce can make the difference between the same-old-same-old on a weeknight, and something that feels just a bit more special!

That's Homestyle Pan Sauces with Martha Holmberg. Yummy stuff.

(Transparency: Clicking on Craftsy links in this blog post helps support this podcast and blog. Thanks!)

 

 

Lookie What I Learned in Nebraska! (Eileen's Dimensional Bow-Tie Block Tutorial)

Last weekend I was in Nebraska with women of my denomination. Despite it being a work event, I found plenty of ways to Talk Quilt while there! One woman named Eileen had organized a large number of donation lap quilts and afghans to be donated to a home for the elderly. She'd made all the quilts that were present at this event herself, so we spent some time during a break going through her quilts: She was telling stories behind the patterns, quilting designs, and fabrics, while I was admiring all the same.

One quilt in particular caught my eye as the block was a dimensional bow-tie block. I've seen those here and there online, but had never had the chance to see one in person. Eileen explained to me how she did the block. She'd actually figured it all out by herself (she's definitely not an Internet person) but she is aware that others also do them. So there may be other methods, but I'm giving her due credit for figuring it out on her own! Hence, I'm presenting this as Eileen's Tutorial. 

Eileen gave me a nice little set of demo squares and I took some pictures while she walked me through the process. After I got home and got some sleep (!), I pulled some 5" squares out of my scrap stash to see if I could remember how she did it. My first one turned out perfectly! My second one, not so much--I somehow reversed the squares. Twice. But the third (and fourth) time's the charm!

So let's walk through the process....

Eileen's Dimensional Bow-Tie Block Tutorial

With pictures I took of my own blocks back home. Again, yes, you can find this elsewhere--I'm just giving credit where credit's due to the person who taught me!

For each block, you need five squares of the same size. You can use any size square you want, you just have to make sure they're all the same measurement.

You also get to make some choices about color arrangement. I did my blocks with three squares of the same color for the bow tie, and two light background squares. I did that mostly because I have lots of multiples in my scrap square stash and this is a great way to use them up. But there are lots of possibilities, here: I could see having the bow tie ends being scrappy but all of the tie knots in the middle of the blocks being the same color to bring the whole design together; or using all solids; or prints in the background with solid bow ties....

For the purposes of this tutorial, your bow tie fabrics will be referred to as "dark", and the background as "light." This is key to keeping everything straight later!

1. Fold one of the dark squares you're using for the "knot" in half, right side out. It's not necessary to press and, in fact, you may not want that kind of a hard crease in your finished product.

2. Sew the folded "knot" piece, fold towards the top, between one light and one dark square: light square on the bottom, dark square on the top. Make sure the raw edges (unfolded side) are aligned with the bottom edge of the squares, and sew along the right-hand edge. Be sure the light piece is on the bottom, the folded piece in the middle, and the dark piece is on top. (If you do it in the reverse you'll need to flip things around later!) The light and dark squares should be right sides together.

Press towards the dark.

3. Now comes the first tricky part. Flip the unit over so the folded square lays to the right of the seam you just sewed. The folded edge will now be on the lower edge and raw edge side towards the top. Fold the already-sewn dark square to the left and out of your way.

4. Lay the remaining dark bow tie square, right-side up, underneath the folded square and line up their right and top edges.

Then lay the remaining light background square, right-side down, on top of both, lining up the top and right edges. It's critical here to make sure you've got the two colors in the right place. The first time, you have the light on bottom and dark on top; this time the dark is on the bottom and the light is on the top. If you reversed it in the first step, you'll need to reverse it again here.

Sew the seam on the right hand-side and press towards the dark again.

5. And now for the second tricky part. You need to open that folded square and line it up between all four blocks for the final seam. The only way to describe this is in pictures...

 

 

 

 

I found it helpful to pull the knot sides fully open with my thumb and forefinger of one hand, then flip the top squares out of the way with my other hand to make sure I had the sides of the knot fully extended. (Don't let the quick-swap of fabrics fool you--this picture was taken while working on a later block.)

 

 

They won't come to points--it's sort of a blunt end.  And here you need to be pretty careful that you don't get the fabric that's in that fold caught in the seam you're about to sew. Keep moving things around until you're sure you're not sewing extra layers. This is virtually impossible to describe and although I tried, I couldn't get a good picture of what I mean. But you'll know if you've done it wrong when you flip open the finished block--more about that later.

For this part, I did what you usually do with matching seams--I scooched it around until the seams felt like they were really butted up together. Then I pinned that center down so it would stay in place. Next, I reached under each side to make sure the knot was really fully extended, evenly pleated in the center, with raw edges flush. I pinned each end of the knot once I had it in place. I also pinned both ends of the unit because that center knot seemed to want to knock everything a little out of whack.

6. And finally, you sew that last seam. And the magic happens!

 

Press the last seam whichever way you choose, depending on how you're setting these finished squares. Then open it up and thar she blows! A bow tie with a fun dimensional knot in the middle!

As mentioned earlier, you'll know you've caught a fold in a seam if you open it up and see a sewn crease down one of the lines of your knot. It should look nice and flat and open, like this.  (And yes, ask me how I know. That same block in which I sewed the squares in the wrong placement twice in a row also ended up with a sewn line down the middle of the knot at the end. Go figure. It was doomed, but me and my seam ripper beat it into submission.)

 

The first one took me all of about 10 minutes. The second one...well, you've already heard about all of that. My trusty new electric seam ripper was put to good use. 

But the third and fourth blocks were back to about 10 minutes each again. What a fun way for me to burn through some of these 5" squares and eventually have some donation quilts! Woo!

Again, I know there's likely other methods out there, but I need to give props to Eileen from Nebraska for figuring all this out herself, and then teaching me so easily. And not least for making several dozens (perhaps even hundreds!) of donation quilts herself. Go, Eileen!

Craftsy Class Review--Beyond Basic Machine Quilting with Ann Petersen

Craftsy Logo

...And so, I've decided I'm done. I didn't finish off the details of the class project, but I've done about 80% of it at this stage and have tried out every stitch design she demonstrates. Since I've got a multitude of other machine quilting classes in my queue, I decided it was time to move on.

I really liked this class quite a bit. This is the second machine quilting class I've completed on Craftsy. (Click here for my review of the Wendy Butler Berns Machine Quilting class.) WBB's class is a little more free-wheeling, "whimsical," which is a great way to get yourself started. Beyond Basic does get a little more complex, but I'd rate it, as they say, Confident Beginner. Or Rank Beginner if you're just a little adventuresome. I think she assumes you've already done some machine quilting and doesn't spend a whole lot of time talking about setting yourself up for quilting, although she does some--and talks about threads. Although she also does get into more complex designs than I recall in WBB's class, Petersen works you up to them by starting at an easier level and getting progressively more complex.

Through the course of the first several lessons, Petersen demonstrates a few ways of creating quilt designs, including no-mark methods. She starts by teaching you how to create a stencil by sewing (without thread) through the quilt design on paper. I've done this technique a few times before so I did well at this step. The difficulty I had was keeping my stitch length long enough that I wasn't just slicing the paper on the lines. Just have to keep my hands moving faster!

 

 

After you perforate the paper with the needle, you then rub some pounce powder or chalk dust through the holes of the paper to mark your quilt. She  gives a different technique for how to apply the pounce powder so I was able to try that out. Because I'd over-perforated some areas, I got a few globs of powder that obscured the line a bit. Plus, I was using white powder on a very light blue background, so I did have problems seeing where I was going. I do have blue powder but was a little concerned about how easily it would come off. Not sure why I was concerned with that small detail when I knew for darn-tootin' this wasn't going to be a show quilt anyway. Apparently sometimes I do sweat the small stuff. Go figure.

 


And so, my first flower looks a bit like a 3rd grader drew it. Actually, lots of 3rd graders would've done better. That being said, I think I started with the hardest one.

 

They got better as I went along...

One of the main things I learned in this class is that the first lines you quilt are not always the most important. Although none of these flowers are even close to being what I'd want to have showing up on a quilt for public use, those first wavery lines tended to fade into the background as I added more layers to the quilting later.

 

And then we move onto feathers and feather variations. The variations include whether you're marking them first and, if so, how you're marking them (she demonstrates a couple of different methods), as well as different shapes and sizes of plumes, and also adding some funky extra touches here and there. She also has you go through straight feathers and curved feathers, and later you go back and embellish the feathers with different kinds of veins. I did okay on the feathers after the first few plumes; at least, I got more confident about just diving in. Still need lots of practice. This picture is one of my better ones.

I'm right-handed, but I was far better at the plumes on the left side. Does that make sense or is it bass-ackwards?

 

And then there's the dragonfly. He's cute. Apparently mine got into a bar-room brawl at some point and broke his tail and it never healed correctly. That's my story and I'm sticking to it.

(That's a different feather in the background. I had been dissatisfied with my first take on the plumes on this one so, knowing that sometimes the best thing to do when something is off is to just keep doing it over and over until it looks intentional, I went back over all the plumes a couple more times. It actually worked! Definitely improved.)

She also has you embellish all the flowers and leaves with various designs as well. I'd never given a whole lot of thought about the order in which you quilt your designs--I always just work center out. She has a different approach that makes a whole lot of sense. But you'll need to take her class to find out. I'm not giving away the farm, here.

 

And then there were the cornerstones and borders. I'd bagged adding cornerstones when I was putting together my project so I just drew them in and pretended they were there for quilting purposes--which worked just fine. Let's just say that I stink at pumpkin seeds. Yep, definitely lots more practice needed there. I also discovered the downside to using variegated thread on pumpkin seeds: You completely lose the design. Which was fine in my case since I'd lost the design several times along the way anyway. (Working backwards that small? Yikes!) My borders were a hot mess but her design options here aren't really my style, so nothing I'd likely use anytime soon. So I did it as-is in one border using one of her design options, then just used the rest of the borders to practice more feather plumes, echo stitching, and the like.

 

I did decently well on the echo quilting and practiced some of the background filler as well, but used a thread that blends. So it looks good, but who knows? You can't actually really see it that well--bonus!

To completely finish this, I'd have had to spend a lot more time on the borders and filler background--and I've just got too many other projects I need to get cranking on! Therefore, I decided I'd learned what I needed to learn and it was time to move on.

 

Therefore, now you've seen all the bits and pieces, here's the as-finished-as-it'll-ever-be class project.

In summary: Even though I didn't finish the project, I did get a whole lot more comfortable with machine quilting during this class. I got some good ideas for how to fill things in, and picked up a few new tricks along the way.

Ann Petersen is a very good teacher. She's calm, doesn't have any annoying mannerisms or habits; she's not a laugh-a-minute but feels like someone you could sit and have coffee with. I enjoyed her presence. I would definitely recommend this class if you're just starting out or looking for a few more designs to practice.

The basics:

  • 13 lessons, ranging from about 13 minutes to close to an hour in length. (You really get your money's worth in this one--lots of content!)
  • Lessons include supplies, basting and marking, starting to stitch, three lessons on feathers of various types, embellishing your designs (with stitching, not with beading or anything), the dragonfly, border treatments, quilted "lace" design, echoing and background stitches, and the final lesson is on blocking your quilt and dealing with ruffly edges.
  • You don't need to do the class project, of course, but it is kind of a fun one; although, as I said earlier, to finish it will take time. I have another project I'm working on for which some of these designs and techniques directly translate so I'm definitely getting the bang for my buck!

Again, that's Ann Petersen's Beyond Basic Machine Quilting, definitely recommended! And now, on to my next class!

(Usual transparency statement: Clicking on Craftsy links in this blog post help to support this blog and podcast. Thanks!)

 

Finally, Flimsy Finished! Phew!

"Good Morning" is finally totally complete! Despite advanced levels of exhaustion yesterday, I managed to get it quilted and bound.

 

The quilting is a simple meander using a yellow variegated thread (from dark yellow to light yellow--extremely subtle). It may have actually helped that I was as tired as I was: I've found that I do the same thing machine quilting as I do driving when overtired--I develop a light-foot. My foot keeps drifting up and off the speed pedal and I find myself going slower and slower....

So, whether it be due to all the FMQ practice I've been getting in lately with Craftsy classes and other projects, or due to exhaustion-induced-light-foot on my foot pedal, or due to the fact that maybe I'm actually getting the hang of this, I had zero problems with the machine quilting. No puckers, no skipped stitches, no eyelashes...Bam! I also used my water soluble basting thread again and really loved having that--and it seems to have washed out beautifully.

I used bamboo batting so it's wonderfully soft and cuddly. I did the binding by hand this time as I felt the need for something more personal. 

I had to piece the back as adding the borders on meant I no longer had enough of the purple to go on its own. Fortunately, I had plenty of the green border fabric to widen things up a bit. You can see the label in the corner--I hadn't filled it in yet when I took this picture.

Again, just to be sure to give credit where credit is due, this quilt is the Building Blocks pattern by Jackie of @sewexcitedquilt and her blog can be found at Sew Excited Quilts.

I also got word that the Dr. Seuss baby quilt, mailed off last week, was received with great excitement! Woo! And the disappearing pinwheel was also greatly appreciated by it's recipient. It's been a happy quilty couple of weeks all around! So, tonight, I'm back to working on that Craftsy class. I'll have it finished yet!

Flimsy Finish Finished Further

You may recall an earlier version of this sans borders from a post last week or thereabouts.

I decided to give it borders as I wanted it somewhat bigger. A search at an LQS turned up one of the fabrics that was in the original charm pack. I'd wanted a funky happy floral border but couldn't find one that worked. I wasn't thrilled with the border fabric until I got home and was able to find a good inner border fabric in my stash that set everything off nicely. I'd still have preferred a floral, but this works. At the moment, I'm just calling it "Good Morning," which is terribly uncreative as that's the name of the fabric line of the charm pack. But, like the border, it works.

I had to piece my backing--never my fave task--because I didn't have quite enough of any one fabric. I'll do a picture of that when it's finished.

It's all basted and ready for me to quilt. I may not get to that before I skip town for work in a couple of days...we'll see...

BTW, I'd be remiss if I didn't mention Craftsy is having a big summer sale from Thursday 6/5 through Monday, 6/9--all online classes are up to 50% off. I may have to move one from my wish list to my "to be completed" list! Gotta love half off!

**This post contains affiliate links and I will be compensated if you make a purchase after clicking on my links.

May Craftsy Class Update

Ahem.

Ain't he cute? A little whonky, but cute!

Ain't he cute? A little whonky, but cute!

I'm still working on Ann Petersen's Beyond Basic Machine Quilting. At least I've made a lot of progress on it, finally! I debated going ahead and posting my review even though I'm not actually done with it yet, but I've decided to stay honest and wait until I'm really completely done--or, at least, whatever I've determined will define "done" on this project. I probably won't get it finished this week due to some travel but next week looks good.

A quick reminder here: I'm doing these posts to meet one of my 2014 Quilty Resolutions. Are you still working on yours? I'll be doing a quarterly check-in and giveaway at the end of June, so check your list and get ready to 'fess up...I mean...report in on your own progress!

New Completions

Online Quilting Classes

Nada. But progress!

Classes in Progress

Current count: 2

  • Beyond Basic Machine Quilting with Ann Petersen.
  • Thread Art with Lola Jenkins. Well, in my head, anyway.
  • I might return to one of my cooking classes in the next couple of weeks: I have a couple I started but never finished. I just haven't had the time to do much cooking lately so those have languished a bit.

Classes added this month

None. The ones I'm working on are keeping me too busy to check out new ones!

Classes To Be Completed

Current count: 18 (no change)

Completed Classes (all topics)

Current count: 22 (no change)

(Usual transparency statement: This post contains affiliate links and I will be compensated if you make a purchase after clicking on my links. Thanks for supporting this podcast and blog!

One of my favorite quilt books is available again...

I don't have time to do a full-on review this week, but I wanted to get the word out that one of my favorite quilt design study books, which had been out of print for a year or so, is now available for sale again. Woohoo!!!

Check out Heather Thomas' A Fiber Artist's Guide to Color and Design. It's available on Amazon (in paperback) or through Landauer Publishing (in print or ebook).

It should suffice as enough of a review to say that my quilt design study group has used Thomas' book for the last year and it has been far and away our favorite book to work with. To whit: we're nearly finished with all the workshops in the book. When we have completed them, we have decided to "wing it" by each member of our group taking a month and choosing a topic to lead the rest of the group through, still using this book as our foundational text. We'll pull in other resources as well based on whatever the challenge is that month, but we all really like this book and feel there's more we can get out of it if we spend even more time with it.

It really is a great book--good content, good layout, good explanations in the workshops (practice sessions)...all around very useful resource. You should definitely check it out!

OT: A Weekend Jaunt (No Quilting Involved)

Although the now-traditional Memorial Day Sew-In (#MDSI) was alive and well this weekend, I was unable to participate because I was off doing other things. DH and I have been ships passing in the night the last several weeks due to both of our travel schedules and evening work engagements and such, so we took a slightly-spur-of-the-moment trip up to Stratford, Ontario, for the Shakespeare Festival. My husband did the math for how long our relationship with Stratford was...math that can only make one feel very old. Stratford was our first big consistent weekend trip when we were first together. We were laughing this past weekend about how in some ways, we "grew up" at Stratford. We attended plays there almost every year for the first 12-15 years of our marriage before we switched to going to Niagara on the Lake (also in Ontario) more frequently. Now that our kids are (sort of) launched, we've decided to start a new tradition of going to Stratford in the spring/early summer and staying with NOTL for our anniversary weekend in the fall. Nice bookends to the season.

We left Friday afternoon--after a rather tempestuous morning involving having to put in an emergency call to the plumber. Ahem.

Fortunately, what looked at first like it would be hugely expensive and quite possibly require ripping out a lot of the tiling in our upstairs bathroom turned out to be a simple and inexpensive fix.

At least, plumbing-wise. The ceiling may be another matter. (No tiling was harmed in the making of this photo.) But we'd planned on getting some painting done anyway, so this probably just pushed the matter up a bit on our timetable. In any case, we were able to leave on vacation only about 90 minutes later than we'd planned; we still made our dinner reservations in Stratford Friday night.

Also despite a very rainy Friday, the rest of our weekend was absolutely perfect weather-wise. Mid-to-high 70s, brilliant sun, gorgeous. We went paddleboating on the Avon River (yes, it's really called that in Ontario, too) Saturday morning, saw "Crazy for You" Saturday afternoon, and "King Lear" Saturday night. Long day, but really nice. Both performances were phenomenal, although I have to admit that "Crazy for You" was a bit more fun. "King Lear" is, of course, just all-out depressing (spoiler alert: just about everyone dies), but it was very well performed and included Colm Feore in the lead.

There are no shows on Sunday so we were able to just "chillax," do more walking in the sun, have leisurely meals, and even spend a couple of hours in our little coach-house studio suite at the B&B reading. Perfect vacation. We zoomed home on Monday to make it in time for a ballgame with DH's family--we have a minor league team here in my hometown. Again, perfect weather.

The results of the weekend are (1) a more relaxed spirit, (2) a renewed memory of how much we love plays at Stratford, (3) fun times with family, and (4) a little bit of a sun tan to start the season.

Here's the photo gallery:

A Finish and a Flimsy (or: A Flimsy Finish)

One of my last minute impulse retreat projects was "Building Blocks," a pattern by #twilter and listener Jackie of Sew Excited Quilts (@sewexcitedquilt). Her pattern is available on Craftsy.

I had bought it and printed it off a couple of months ago because when I saw her posting about it on her blog, I immediately thought it would make a great donation quilt. When I was packing for retreat last week, I stumbled across the print-out of the pattern and checked the fabric requirements: one charm pack and/or 36 5" squares, 1 1/4 yard fabric for background, plus backing and binding. I thought, "Why not? I've got me some charm packs!" (I talk more about the whole 5" square thing and why I didn't use my scrap squares in this week's podcast episode.)

Laying fabrics out to avoid having three of the same pattern appear in a single block, like they do above. (This got changed before sewing!)

Laying fabrics out to avoid having three of the same pattern appear in a single block, like they do above. (This got changed before sewing!)

It was a great impulse project! It only took me maybe three hours, all-in, to have the top cut and pieced, including what I finished up at home. At that, it probably only took me that long because I took my time piecing the blocks together on the top to try to make sure fabrics weren't crowding up together and such. If I'd been in get-er-done mode, it would've gone a lot faster.

The charm pack is "Good Morning," by Moda. Can't tell you what the background fabric was--it was from my stash. But I loved that sunny yellow with the charm pack. Good morning, indeed!

So here's the top complete.

It was a very foggy morning when I took this picture on my back patio so the colors are off. It's a little more saturated than this. Hopefully when I get it quilted and am ready for the full reveal I'll have a better picture.

Still n' all, won't this be a cute donation quilt for a baby? (It finishes up somewhere in the neighborhood of 42"x42".)

I may have to do another of these. Did I already say I got me some charm packs?

So the other finish this week was something that was also quite spur of the moment. In moving some fabrics around on my shelves I came across a Stonehenge panel and four coordinating fat quarters I'd bought maybe...ummm...four or five years ago? Every now and again I pick them up, look at them, think, "I should use these or give them away," realize I'm not quite ready to do either, and put them back on the shelf.

I'd done that again this week. Only this time, my daughter happened to wander into the sewing room, and she fell in love. As I was explaining the problem (four fat quarters not being quite enough fabric to actually do anything simple in terms of borders and such, and me not wanting to spend the time at the moment to get all creative on its little fabric butt), she said, "But the panel would be great to hang in a window like stained glass!"

Since she's game to do that in her dorm room next fall (senior year!), I pulled out my fusible 1/4" Steam a Seam and went to town.

So here's her new window dressing. This is simply the panel with the selvedges cut off either end, and the edges pressed to the back and fused down.

I love fusible.

The only little bit of sewing I did was on the ends of the hanging sleeve, although I could've fused that too, certainly. I just went into auto-mode and was sitting at my sewing machine before I even thought about it.

Here's a picture of the back--the fused edges (pressed 1/4" inch, then folded over another 1/4" to fused so it'd have a clean edge) and the hanging sleeve. The sleeve is made the way you often make sleeves, but I fused it to the back instead of sewing it because I didn't want any sewing showing up on the front. Depending on what kind of window she has, she should be able to slide a tension rod in there to hang it up. We'll see what happens.

The four fat quarters? Well, they'll either go into my stash or end up being a giveaway at some point. But at least now this is one less bunch of fabric sitting unused on my shelf mocking me!

Retreat Report with Pics!

To listen to my report on last weekend's guild retreat, check out the latest episode of my podcast. Meanwhile, here are a few pics! This isn't the complete photo-report as some projects will be photographed later.

So, for now, here are the blocks I finished on my jelly roll sampler, a project that's been in the works for a few years.

Jelly Roll Sampler block 10

Jelly Roll Sampler block 10

Jelly Roll Sampler block 11

Jelly Roll Sampler block 11

Jelly Roll Sampler block 12

Jelly Roll Sampler block 12

And, ta da, all 12 blocks together. Approximately three years of piecing. (Well, okay, three years of a couple of hours at a time on retreats.) As you can see, it's mostly a low-volume quilt although that dark burgundy fabric really jumps out in these pictures. It's not quite that stark in real life. I'm going to let these blocks brew on my shelf for a bit until I have time to get them to a quilt shop to find the perfect sashing/border fabric. 

Sorry, I really don't remember the name of the jelly roll. By 2011 when I started this it had already been on my shelf for awhile, and I may have inherited from my Mom. So who knows hold old the line is now?

Here's the (in)famous scrap bag/pin cushion retreat project. And yes, true to what I said in my podcast that my friend would be able to finish the second one off right-quick, she's already emailed me that it's done.

 

Here's the electric seam ripper I talked about on my blog--this was my friend's (I took the picture at retreat). I immediately came home and ordered one for myself. I've got it in hand now, although haven't had to rip a seam out with it yet!

And you know what else I figured out? I've been thinking about getting one of those seam rippers that has the big eraser-like knob on the end that helps you get the broken thread pieces out of the seam after you're done ripping it. Well, I discovered on retreat that the end of my Fons & Porter stiletto works the same way!

I just held it like an eraser, rubbed it across the threads in the seam lines, and they brushed right off. O, joy! I just saved myself $7 or whatever that other seam ripper costs. Let's not do the math with what I just spent on the electric seam ripper, though.

And here's a general photo gallery of shots from around the grounds. A couple are panoramic if they work well in this gallery setting. Also, I discovered I could mess with the panoramic feature on the phone, so there are a couple of photos that I've entitled "When Worlds Collide" and "The Edge of the Earth." See if you can figure out which they are.

Another Momufo complete--and not by me!

When Mom passed away in 2009, I was the only quilter daughter. Technically speaking, I'm still the only quilter daughter although now I have a sister who's--ahem--dabbled her toes a bit. In any case, at the time, going through Mom's incomplete projects mostly fell to me. I sorted them out into those I wanted to complete myself versus those I'd be okay giving away to others to complete.

Those I was okay with sending off to other homes, I brought to a guild meeting one evening and asked if anyone would be interested. Several folks took the bait and I distributed most of those I had brought with me. The rest went into various donation locations. 

This week, one of Mom's UFOs (long ago designated as Momufos) came back home to roost. This one had originally been taken by Jan, then, when she was cleaning out some of her stash last year, Lori saw it in a stack and liberated it to go home with her. Where it then sat for awhile.

You see, the issue was mostly that it was round and had no border or anything, so although (to my recollection) the top was pieced, it would've taken some doing to finish it off adequately. Frankly, my guess is that's why it had been a UFO in the first place--Mom probably lost steam! 

When Lori heard about my niece having the first baby of the next generation on my side of the family, she looked at this piece again and sudden inspiration hit. At our guild meeting earlier this week, she presented me with the reworked UFO as a completed baby quilt. It's adorable. I said I'd likely keep it at my house for my great-niece to use when she's here, but also to give me the option of having it to give to another baby whenever my great-niece gets a sibling or a cousin. (My great-niece has several baby quilts to her name now, between me, her daddy's mother who's also a quilter, and my non-quilter-so-far-sister who made her a cuddly minky blanket. So I don't mind holding this one off for awhile!)

Thanks, Jan, for keeping it safe for a bit, and thanks, Lori, for the inspiration that made you finish it off! It's a nice memory of my Mom to be able to hand down to another generation at some point. 

 

Hand-Dyed Results--A Little More Experimentation

I did some more ice-dyeing last weekend; I'm not entirely thrilled with some of the results but that's the serendipity of this method--you never entirely know what you're going to get. Most times, it's a wonderful surprise and you get funky-fun things you could've never managed if you'd tried to control what was going on. Once in awhile, though, you get the other kind of funky. The not-so-good kind. That being said, beauty is the in eye of the beholder so who knows?

Some background: I've been testing out different types of dyeable clothing and accessories to see what I might want to continue working with. So far, I've not landed on anything other than scarves--and possibly the wrist-wrist warmers--that I've loved. Well, other than baby clothes. Those are just dang cute. In any case, you'll see here some more of my testing.

First up: A tshirt done with Fuschia, Grape, and Boysenberry dyes.

I ended up piling too much ice on this one in an attempt to cover all the pieces I was doing in this one dye bath. The items were therefore soaking in dyed ice-melt and blurred some of the normal ice-dyed effect. I'm also not keen on the way the t-shirt fits, although it's wearable. So, the results are nice enough but nothing to dance a jig over.

Twist-shirt front

Twist-shirt front

Next up, another style of t-shirt. This one has a twist in the center. I actually own a few store-bought shirts in this style, so I was jazzed when I saw a dyeable version on Dharma's website. However, I'm also not keen on the way this one fits--I ordered it in the larger size I used to wear rather than the size I'm wearing now, knowing that typically dyeables run a bit small. And yet, it's still tighter than I like. I knew that before I dyed it so I was more willing to try out a new color combination as well as a new fabric-manipulation technique on the shirt as I had nothing to lose--I wouldn't be wearing it in public anyway. (BTW, I've now ordered one in a size larger than I've ever worn in my life. We'll see if that one works!)

Twist-front back--the spiral is a little more evident here, as is the migrated purple dye

Twist-front back--the spiral is a little more evident here, as is the migrated purple dye

This one was done with Antique Gold and Old Rose, and I spiraled the shirt before putting it under the ice to echo the twist on the front. I think I sort of like the color results, although it's not a combination I can wear myself--not particularly flattering for me. Yellows are generally not my friend. I do like the spiral effect, though you can't see it as well on the shirt as you can on another example coming up. What I'm a little annoyed at with this one, though, is that I followed a tutorial on a hand-dyer's blog about using Retayne and she swore she dumps all her colors in one bucket and has never had a problem. I trusted her. And yet, some of the purple migrated onto this shirt. I'll be going back to separating my colors. Not blaming the blog--there are just too many variables.

And then, just for kicks n' giggles, I threw in a few scrunchies.

They're not exciting, though not bad (although the gold/rose is a little more muddy on these). It's not worth doing ice-dye on them because there's not enough surface area to really see that effect. So if I do more of these in the future I'll use different techniques.

And then there was the fabric.

First, one that was in the fuschia/boysenberry/grape container--I like this color combo. I'll probably use it again in the future.

However, again, too much ice = too much water = muted ice-dye effect. Nice, but not exciting. Still n' all, I could see this being a background for something or getting cut up into smaller pieces for a scrappy-project or...whatevs. It's nice enough.

Then there's a more standard and striking ice-dye. I tweaked up my current-fave combo of Teal and Black (629? Can't remember which I used) by adding in some Intense Blue. I very much like that combination. This is one that'll sit on my cutting table for awhile so I can play "Rorshach Test" with it: IOW, "What does this design look like to you?"

And, finally, I spiraled this fat quarter the same way I did the twist-front t-shirt, but in this sample you can really see the spiral.

Again, this is the Antique Gold and Old Rose combination. I think I could like it as long as I'm not wearing it. It's kind of weird, but sometimes weird can be good. (It looks a hair more green in this picture than in real life--lighting is such a difficult thing!)

I also did a few more onesies as a gift for a new grandma in our guild. (I'm posting this after she'll get the gift so it should be okay!) The baby is a boy so I went for the gender-stereotyped-darker colors. It was fun playing around with mixing my dyes to get colors I liked. I used Ann Johnston's trick of having a piece of fabric that you drip a little of your dye combination onto to see what color you're making and what you might want to add to it. Helpful, plus I'm developing quite a fun piece of fabric with multi-colored splatters on it!

I photo-edited a big black box over the one that's personalized. You can see the last letter because last time I posted photos of a onesie I'd personalized without showing the actual personalization for privacy reasons, I got a couple of requests to see how the lettering worked.

And here's a closeup of the lettering. This is done with a stencil and Color Magnet. I've learned that Color Magnet works best with diluted versions of the dye color; that way, it's more obvious where the Color Magnet has drawn more dye. If the dye is too saturated, the Color Magnet disappears altogether.

The stencil has sort of a "Disney's Animal Kingdom" feel to the font. If I'm going to keep personalizing stuff, I should probably buy more lettering stencils. But it's kind of a pain and time-consuming to do so I don't see a ton of it happening in my future.

I had a few other results too, but can't post them at the moment for reasons best left unexplained. Until later. I've already got ideas for what I want to work on next in my dye studio, but it's likely to be another couple of weeks before I can get back down to the basement--which means I may completely change my mind about what happens once I'm there!

A Finish! Scrapitude--or, as it's known in my house, ScrapiBonzaTude

It's finally totally, completely, without a doubt, done!

Scrapitude done and on my bed!

Scrapitude done and on my bed!

I had it quilted at Mt. Pleasant Quilting Company. I only asked for a pantograph (all over design) on this because to do anything else on a quilt this size would've been too expensive. I left it up to "quilter's choice" on the pattern and just ask for a thread that would blend. Here's a detail of the design. (The thread is a light beige.)

And finally, the lovely border fabric that pulled it all together. I think I already talked about finding this fabric in a previous blog post--it wasn't what I went looking for, but it just made the quilt sing! The motif speaks well to the shape of the star in the blocks, and it echoes many of the more prominent colors in the quilt. Love it.

Because of the motif, my borders are something like 9" wide. So the entire quilt came out to around 96" square--which was, as it turned out, just the size I needed to drape over our tall mattresses and reach to the top of the box spring with it's dust ruffle. I've never had a blanket or bed covering that did that on this bed. Woo! I hadn't planned that specifically when I chose the border, but boy, was it a nice outcome!

Because this quilt is so large, and because the border fabric is an Australian aboriginal fabric design (Stella Black by designer Cathy Turner), I pulled in my Head Australian Quilting Consultant, @ozzypip, and asked her for any Australian slang terms that meant "stinking huge." (Okay, I may not have included the word "stinking" in my query, but it was definitely in my head!) Philippa consulted with some of her compatriots and sent me a list of possibilities. Although she warned me that "Bonza" is older slang, I decided it was the one that worked best in this case. Hence, "ScrapiBonzaTude" was born!

And so, ScrapiBonzaTude is finally complete. Just in time, too. Yep, I'm already working on a secret mystery project scheduled for launch in early 2015... (and this message will self-destruct in five seconds...)

Craftsy Class Review--Creative Ways with Whole Grains

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I've finished watching the five lessons of the class "Creative Ways with Whole Grains," with Anna Bullett, executive chef at Cooking Light. I haven't done any of the recipes from the class (so I don't have any pics--sorry!) but certainly picked up a few tips for the next time I use quinoa or make a risotto. This is a freebie class so I figured I had nothing to lose and might pick up some healthy ideas along the way.

After the short introduction that assumes you don't know anything about Craftsy (that's why they offer these freebies, after all), there are four lessons that move from definitions and general information about whole grains, to pilafs and bakes, breakfast, and risotto.

I think I'm particularly intrigued by lesson four, which is using whole grains for breakfast. Beyond oatmeal, Bullett offers a few new ideas for some breakfast grains. Quinoa for breakfast? Definitely a thought! She cooks it in light coconut milk mixed with water, adds a bit of brown sugar and a little bit of salt. Throw some fruit on the top when it's done and you've got a healthy, filling breakfast with a tropical flare. I believe I'll be trying that out sometime in the next couple of weeks. She also talks about steel-cut oats in the slow-cooker--which I'm already a fan of! She suggests a tweak to my usual recipe, though, that I'm willing to give a shot--sounds tasty.

Anna is easy to watch, although I'd wish for just a little more of a natural feeling to her presentation. She's a good teacher, but it does feel a little overly scripted compared to some of the other food-related classes I've taken on Craftsy. Still, that doesn't take away from what you learn and...again...it's free!

So, if you're looking for a quick cooking lesson with some healthy new ideas, I'd definitely recommend this class. And...did I already mention...it's free?

The Basics:

  • Five lessons, from about 9 mins to 17 mins (absent the <1 min intro lesson).
    • Lesson 1: Intro to Craftsy
    • Lesson 2: About Whole Grains--great background information about what makes a whole grain a whole grain, what to look for on labels, why they're healthy, etc.
    • Lesson 3: Pilafs and Grain Bakes
    • Lesson 4: Whole Grains for Breakfast
    • Lesson 5: Whole-Grain Risotto

Again, that link is "Creative Ways with Whole Grains," with Anna Bullett. I'll post pics later on if I do the breakfast quinoa thing!

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Birthdays all around!

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Happy birthday to Bubba Jr, @ltdermdvm's Golden who's turning 14 today! Sammy sends birthday greetings and had a piece of birthday Milkbone in his honor. (It's blurry because although he posed for me he was a bit impatient to get at that treat! Princess Doggie's hindquarters in the background show her wagging tail as she quickly downed her birthday Milkbone. She's highly suspicious of cameras as a rule--no posing for her.)

Meanwhile, it's Craftsy's birthday too! They're having a big sale this weekend, through Sunday, May 11th, ad midnight Mountain Time. The banner on the right sidebar will take you to the sale, or you can just click here. Selected classes are up to 50% off. Yeah, I'll probably be checking it out myself, sigh. (Usual transparency statement: using Craftsy links on this page helps support this blog and podcast. Thanks!)

And, what am I doing for Mother's Day? Also a birthday of sorts--after all, it's a couple of births that got me the name "mother," right? Well, the day itself is still a bit under construction. I'm waiting for the first-born to let us know what hours he's working so we can plan around him. Meanwhile, yesterday the second-born came home from college for the summer, and she brought her bad cold with her. She ignored my pleas to pack those cold germs in a box and leave them there. I'm just hoping that cold doesn't turn out to be her Mother's Day gift to me.

I'm still recovering from a couple of back-to-back busy weeks with work, but I'm awake enough today to be decently productive. I got groceries this morning. Woo. Better than I did last weekend!

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I also got this in the works.

Indeed, it's about 70-something degrees outside and our lilacs are a few days away from blooming, and yet I'm still ice-dyeing. I can't help myself. This batch is using some color combos I've not done before, and the one in the center is my new Antique Gold dye, so I'm anxious to see how that plays with the ice--as well as how it works with the Old Rose dye I combined it with. The one in front is Fushchia, Grape, and Boysenberry, and the one in back is Teal, Intense Blue, and a little Black (629, I think, but might be 628, not sure which one I grabbed off the shelf). I've got some fat quarters in each as well as some clothing items. Should be a fun rinse-out in the morning!

Groceries. Check. Ice-dye prepped. Check. Chicken breasts in marinade for grilling tonight. Check. Shower. Check. Lunch. Check.

Hmmm. I think it's time for some Scrapitude binding!